Carrie Chapman Catt gave every indication of developing into an outstanding executive. Not another one of Susan's "girls" could so quickly or so intelligently size up a situation as Carrie, nor could they so effectively put into action well-thought-out plans. Not as popular a speaker as the more emotional Anna Howard Shaw, she held her audiences by her appeal to their intelligence. Tall, handsome, and well dressed, she never failed to leave a favorable impression. Only her name irked Susan, and as Susan wrote Clara Colby, "If Catt it must be then I insist, she should keep her own father's name--Lane--and not her first husband's name--Chapman,"[404] but the three Cs intrigued Carrie and she continued to be known as Carrie Chapman Catt. Now living in the East because her husband's expanding business had brought him to New York, she was easily accessible, and from her beautiful new home at Bensonhurst, a suburb of Brooklyn, she carried on the rapidly growing work of the organization committee until a New York City office became imperative. In Carrie, Susan recognized qualities demanded of a leader at this stage of the campaign when suffragists must learn to be as keen as politicians and as well organized. * * * * * "Spring is not heralded in Washington by the arrival of the robin," commented a Washington newspaper, "but by the appearance of Miss Anthony's red shawl." Susan was still the dominating figure at the annual woman suffrage conventions. Everyone looked eagerly for the tall lithe gray-haired woman with a red shawl on her arm or around her shoulders. Once when Susan appeared on the platform with a new white crepe shawl, the reporters immediately registered their displeasure by putting down their pencils. This did not escape her, and always on good terms with the newsmen and informal with her audiences, she called out, "Boys, what is the matter?"[405] "Where is the red shawl?" one of them asked. "No red shawl, no report." Enjoying this little by-play, she sent her niece Lucy back to the hotel for the red shawl, and when Lucy brought it up to the platform and put it about her shoulders, the audience burst into applause, for the red shawl, like Susan herself, had become the well-loved symbol of woman suffrage.