Susan Lenox: Her Fall and RisePhillips, David Graham
General
Susan Lenox: Her Fall and Rise
Phillips, David Graham
Actresses -- Fiction; Prostitutes -- Fiction; Women -- United States -- Fiction
Our great forward strides are made unconsciously, are the
results of apparently trivial, often unnoted impulses. Susan,
like all our race, had always had vague secret dreams of
ambition--so vague thus far that she never thought of them as
impelling purposes in her life. Her first long forward stride
toward changing these dreams from the vague to the definite was
when Rod, before her on the horse on the way to Brooksburg,
talked over his shoulder to her of the stage and made her feel
that it was the life for her, the only life open to her where a
woman could hope to be judged as human being instead of as mere
instrument of sex. Her second long forward movement toward
sharply defined ambition dated from the sight of the woman of
the milliner's window--the woman who epitomized to Susan the
whole art side of life that always gives its highest expression
in some personal achievement--the perfect toilet, the perfect
painting or sculpture, the perfect novel or play.
But Rod saw in her enthusiasm only evidence of a concealed
longing for the money to indulge extravagant whims. With his
narrowing interest in women--narrowed now almost to sex--his
contempt for them as to their minds and their hearts was so far
advancing that he hardly took the trouble to veil it with
remnants of courtesy. If Susan had clearly understood--even if
she had let herself understand what her increasing knowledge
might have enabled her to understand--she would have hated him
in spite of the hold gratitude and habit had given him upon her
loyal nature--and despite the fact that she had, as far as she
could see, no alternative to living with him but the tenements
or the streets.
One day in midsummer she chanced to go into the Hotel Astor to
buy a magazine. As she had not been there before she made a
wrong turning and was forced to cross one of the restaurants. In
a far corner, half hidden by a group of palms, she saw Rod at a
small table with a strikingly pretty woman whose expression and
dress and manner most energetically proclaimed the actress. The
woman was leaning toward him, was touching his hand and looking
into his eyes with that show of enthusiasm which raises doubts
of sincerity in an experienced man and sets him to keeping an
eye or a hand--or both--upon his money. Real emotion, even a
professional expert at display of emotion, is rarely so adept at
exhibiting itself.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account