Napoleonic Wars, 1800-1815 -- Fiction; War stories
"Of course not, if you are not going to prolong your stay. If you
project a visit to Elba, Livorno is the port for that. And if you are
anxious to hear about Napoleon you will hear plenty of gossip about him
there. Here you have nothing but my talk."
"I have found it very interesting," said Cosmo, rising to go away. The
doctor smiled without amiability. He was determined never to let Cosmo
guess that he knew of his acquaintance with the people occupying the
palace guarded by the symbolic griffins. Of that fact he had been made
aware by the Count de Montevesso who, once, he had got the doctor into
Clelia's room, decided to take him into his confidence--on the ground
that one must be frank with a medical man. The real reason was, however,
that knowing Doctor Martel to be employed on secret political work by
the statesmen of the Alliance, and having a very great idea of his
occult influences in all sorts of spheres, he hoped to get from him
another sort of assistance. His last words were, "You see yourself the
state the child is in. I want that popinjay moved out of Genoa."
The only answer of the doctor to this, and the last sound during that
professional visit that Count de Montevesso heard from him, was a short
wooden laugh. That man of political intrigues, confidential missions
(often he had more than one at a time on his hands), inordinately vain
of his backstairs importance, was not mercenary. He had always preserved
a most independent attitude towards his employers. To him the Count de
Montevesso was but a common stupid soldier of fortune of no importance
and of no position except as the son-in-law of the Marquis d'Armand. He
had never seen him before, but his marital life was known to him as it
was known to the rest of the world. To be waylaid by a strange priest
just as he was leaving the Marquis's room was annoying enough, but he
could not very well refuse the request since it seemed to be a case of
sudden illness. He was soon enlightened as to its nature by Clelia, who
had treated him and the Count to another of her indescribable
performances. Characteristically enough the doctor had never been for a
moment irritated with the girl. He behaved by her tempestuous bedside
like a man of science, calm, attentive, impenetrable. But it was
afterwards, when he had been drawn aside by the Count for a confidential
talk, that he had asked himself whether he were dreaming or awake. His
scorn for the man helped him to preserve his self-command, and to the
end the Count was not intelligent enough to perceive its character.
Public-domain text, read in full here on John Shaqi.
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