Napoleonic Wars, 1800-1815 -- Fiction; War stories
Terror-struck as if at the discovery of a crime, he jumped up, trembling
in every limb. He had a horror of the room, of being alone within its
four bare walls on which there were no pictures except that awful one
which seemed to hang in the air before his eyes. Cosmo felt that he must
get away from it. He snatched up his cloak and hat and fled into the
corridor. The hour was late and everything was very still. He did not
see as much as a flitting shadow on the bare rough walls of the
unfinished palace awaiting the decoration of marbles and bronzes that
would never cover its nakedness now. The dwelling of the Grazianis stood
as dumb and cold in all its lofty depths as at that desolate hour of the
dreadful siege, when its owner lay dead of hunger at the foot of the
great flight of stairs. It was only in the hall below that Cosmo caught
from behind one of the closed doors faint, almost ghostly, murmurs of
disputing voices. The two hanging lanterns could not light up that
grandly planned cavern in all its extent, but Cosmo made out a dim shape
of the elderly lieutenant sitting all alone and perfectly still against
the wall, with a bottle of wine before him. By the time he had reached
the pavement Cosmo had mastered his trembling and had steadied his
thoughts. He wanted to keep away from that house for hours, for hours.
He glanced right and left, hesitating. In the whole town he knew only
the way to the Palazzo and the way to the port. He took the latter
direction. He walked by the faint starlight falling into the narrow
streets resembling lofty unroofed corridors as if the whole town had
been one palace, recognizing on his way the massive shape of one or two
jutting balconies he remembered seeing before, and also a remarkable
doorway, the arch of which was held up by bowed giants with flowing
beards, like two captive sons of the god of the sea.
III
At the moment when Cosmo was leaving his room to escape the haunting
vision of an old picture representing a beautiful martyr with a dagger
in her breast. Doctor Martel was at work finishing what he called a
confidential memorandum which he proposed to hand over to the Marquis
d'Armand. The doctor applied very high standards of honour and fidelity
to his appreciation of men's character. He had a very great respect for
the old Marquis. He was anxious to make him the recipient of that crop
of valuable out-of-the-way information interesting to the French
Bourbons which he had gathered lately.
Public-domain text, read in full here on John Shaqi.
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