The only light on shore he could see issued in a dim streak from the door of the guardhouse which he had passed on his return from the tower on his first evening in Genoa. As he did not wish to pass near the Austrian sentry at the head of the landing-steps, Cosmo, instead of following the quay, kept under the portico at the back of the guardhouse. When he came to its end he had a view of the squat bulk of the tower across a considerable space of flat waste ground extending to the low rocks of the seashore. He made for it with the directness of a man possessed by a fixed idea. When he reached the iron-studded low door within the deep dark archway at the foot of the tower he found it immovable. Locked! How stupid! As if those heavy ship guns up there could be stolen! Disappointed, he leaned his shoulders against the side of the deep arch, lingering as people will before the finality of a closed door or of a situation without issue. His superstitious mood had left him. An old picture was an old picture; and probably the face of that noble saint copied from an old triptych and of Madame de Montevesso were not at all alike. At most, a suggestion which may have been the doing of the copyist and so without meaning. A copyist is not an inspired person; not a seer of visions. He felt critical, almost ironic, towards the Cosmo of the morning, the Cosmo of the day, the Cosmo rushing away like a scared child from a fanciful resemblance, that probably did not even exist. What was he doing there? He might have asked the way to the public gardens. Lurking within the dark archway, muffled up in his blue cloak, he was a suspect figure like an ambushed spadassin waiting for his victim, or a conspirator hiding from the minions of a tyrant. "I am perfectly ridiculous," he thought. "I had better go back as soon as I can." This was his sudden conclusion, but he did not move. It struck him that he was not anxious to face his empty room. Was he ready to get into another panic? he asked himself scornfully. . . . At that moment he heard distinctly the sound of whispering as if through the wall, or from above or from the ground. He held his breath. The whispering went on, loquacious. When it stopped, another voice, as low but deeper and more distinct, muttered the words: "The hour is past."