Napoleonic Wars, 1800-1815 -- Fiction; War stories
"Amazing superstition," Count Helion exclaimed in a rasping growl. "The
days of priests and devils are gone," he went on angrily, but paused as
if struck with a sudden doubt or a new idea. The old woman shook her
head slightly. In the depths of her native valley all the days were
alike in their hopes and fears as far back as she could remember. She
did not know how she had offended her brother and emitted a sigh of
resignation.
"What's the trouble now?" Count Helion asked brusquely.
The old woman shrugged her shoulders expressively. Count Helion
insisted. "There must be some cause."
"The cause, as I am a sinner, can be no other but that young signore
that came out with you and to whom you bowed so low. I didn't know you
had to bow to anybody unless perhaps to the King who has come back
lately. But then a king is anointed with holy oils! I couldn't believe
my eyes. What kind of prince was that?" She waited, screwing her eyes up
at Count Helion, who looked down at her inscrutably and at last
condescended to say:
"That was an Englishman."
She moaned with astonishment and alarm. A heretic! She thought no
heretic could be good-looking. Didn't they have their wickedness written
on their faces?
"No," said Count Helion. "No man has that, and no woman, either."
Again he paused to think. "Let us go in now," he added.
The big room (all the rooms in that Palazzo were big unless they
happened to be mere dark and airless cupboards), which they entered as
quietly as if a sick person had been lying in there at the point of
death, contained amongst its gilt furniture also a few wooden stools and
a dark walnut table brought down from the farmhouse for the convenience
of its rustic occupants. A priest sitting in a gorgeous armchair held to
the light of a common brass oil lamp an open book, the shadow of which
darkened a whole corner of the vast space between the high walls
decorated with rare marbles, long mirrors, and heavy hangings. A few
small pieces of washing were hung out to dry on a string stretched from
a window latch to the back of a chair. A common brazier stood in the
fireplace and, near it, a gaunt, bony woman dressed in black with a
white handkerchief on her head was stirring something in a little
earthen pot. Ranged at the foot of a dais bearing a magnificent but
dismantled couch of state were two small wooden bedsteads, on one of
which lay the girl whom Cosmo knew only as "Clelia, my husband's niece,"
with a hand under her cheek. The other cheek was much flushed; a tangle
of loose black hair covered the pillow. Whether from respect for the
priest or from mere exhaustion she was keeping perfectly still under her
bedclothes pulled up to her very neck so that only her head remained
uncovered.
Public-domain text, read in full here on John Shaqi.
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