“It means,” said Clarence with a white face, but a steady voice, “that
I care for her now as much as I ever cared for her, no matter to what
folly it once might have led me. But it means, also, that there was no
time when I was not able to tell it to YOU as frankly as I do now”--
“One moment, please,” she interrupted, and turned quickly towards
the door. She opened it and looked out. “I thought they were calling
me,--and--I--I--MUST go now, Mr. Brant. And without finishing my
business either, or saying half I had intended to say. But wait”--she
put her hand to her head in a pretty perplexity, “it's a moonlight
night, and I'll propose after dinner a stroll in the gardens, and you
can manage to walk a little with me.” She stopped again, returned, said,
“It was very kind of you to think of me at Sacramento,” held out her
hand, allowed it to remain for an instant, cool but acquiescent, in his
warmer grasp, and with the same odd youthfulness of movement and gesture
slipped out of the door.
An hour later she was at the head of her dinner table, serene,
beautiful, and calm, in her elegant mourning, provokingly inaccessible
in the sweet deliberation of her widowed years; Padre Esteban was at
her side with a local magnate, who had known Peyton and his wife, while
Donna Rosita and a pair of liquid-tongued, childlike senoritas were near
Clarence and Sanderson. To the priest Mrs. Peyton spoke admiringly of
the changes in the rancho and the restoration of the Mission Chapel, and
together they had commended Clarence from the level of their superior
passionless reserve and years. Clarence felt hopelessly young and
hopelessly lonely; the naive prattle of the young girls beside him
appeared infantine. In his abstraction, he heard Mrs. Peyton allude to
the beauty of the night, and propose that after coffee and chocolate
the ladies should put on their wraps and go with her to the old garden.
Clarence raised his eyes; she was not looking at him, but there was
a slight consciousness in her face that was not there before, and
the faintest color in her cheek, still lingering, no doubt, from the
excitement of conversation.
It was a cool, tranquil, dewless night when they at last straggled out,
mere black and white patches in the colorless moonlight. The brilliancy
of the flower-hued landscape was subdued under its passive, pale
austerity; even the gray and gold of the second terrace seemed dulled
and confused. At any other time Clarence might have lingered over this
strange effect, but his eyes followed only a tall figure, in a long
striped burnous, that moved gracefully beside the soutaned priest. As he
approached, it turned towards him.
“Ah! here you are. I just told Father Esteban that you talked of leaving
to-morrow, and that he would have to excuse me a few moments while you
showed me what you had done to the old garden.”
Public-domain text, read in full here on John Shaqi.
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