She threw her arms around the young girl's waist and drew her towards
her affectionately, an action that slightly precipitated some powder
upon the black dress of her niece. Susy glanced mischievously at
Clarence, but withdrew her eyes presently to let them rest with
unmistakable appreciation and admiration on her relative. A pang shot
through Clarence's breast. He had never seen her look in that way at
Mrs. Peyton. Yet here was this stranger, provincial, overdressed, and
extravagant, whose vulgarity was only made tolerable through her good
humor, who had awakened that interest which the refined Mrs. Peyton had
never yet been able to touch. As Mrs. McClosky swept out of the room
with Susy he turned away with a sinking heart.
Yet it was necessary that the Spanish house servants should not suspect
this treason to their mistress, and Clarence stopped their childish
curiosity about the stranger with a careless and easy acceptance of
Susy's sudden visit in the light of an ordinary occurrence, and with a
familiarity towards Mrs. McClosky which became the more distasteful to
him in proportion as he saw that it was evidently agreeable to her. But,
easily responsive, she became speedily confidential. Without a single
question from himself, or a contributing remark from Susy, in half an
hour she had told him her whole history. How, as Jane Silsbee, an elder
sister of Susy's mother, she had early eloped from the paternal home
in Kansas with McClosky, a strolling actor. How she had married him
and gone on the stage under his stage name, effectively preventing any
recognition by her family. How, coming to California, where her husband
had become manager of the theatre at Sacramento, she was indignant to
find that her only surviving relation, a sister-in-law, living in the
same place, had for a money consideration given up all claim to the
orphaned Susy, and how she had resolved to find out “if the poor child
was happy.” How she succeeded in finding out that she was not happy.
How she wrote to her, and even met her secretly at San Francisco and
Oakland, and how she had undertaken this journey partly for “a lark,”
and partly to see Clarence and the property. There was no doubt of the
speaker's sincerity; with this outrageous candor there was an equal
obliviousness of any indelicacy in her conduct towards Mrs. Peyton that
seemed hopeless. Yet he must talk plainly to her; he must say to her
what he could not say to Susy; upon HER Mrs. Peyton's happiness--he
believed he was thinking of Susy's also--depended. He must take the
first opportunity of speaking to her alone.
Public-domain text, read in full here on John Shaqi.
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