But at last: "My daughter," he began, "is now thirty-six. She has had
thirty-six years of luxury, of merely raising her finger and receiving
highly trained service. She is not a young girl who might, being more
adaptable and buoyed up by romance, settle down to a new order of life;
she is too used to the luxuries I have been able to give her, servants,
carriages, horses, travel, fine clothes--" he enumerated them all with
distinctness, giving each item a lengthy second before going on to his
conclusion. "It will work real hardship on her to be compelled to give
up all these things to do her own work and to make over her own
dresses."
"You're mistaken, father," Miss Massey denied, "all that giving up, if
giving up you can call it, will be my joy if I can be with Robert." Her
voice, deep with emotion, died into a silence which reigned for moments.
No one seemed to wish to break it, not even the baby. And yet, though
the meaning of all the spoken words had not been clear to Suzanna, her
eager, sensitive little mind seized on pictures which seemed somehow to
fit in; yet pictures in their simplicity so far removed from her
surroundings of luxury that they would seem but vagrant fancies.
Had she attempted to translate them, she would have failed, yet as they
grew momentarily more vivid and meaningful, interpretive words, as vivid
as the pictures themselves, rushed to her lips. She turned to the Eagle
Man.
"Oh, on Saturday night when supper is over and the shades are pulled
down and the lamp is lit in the parlor, and Robert is reading a big book
with pictures in it, and the children, except the two eldest, are all
asleep upstairs and it's raining outside, and you can hear the pitapat,
pitapat of the drops on the window pane, then Miss Massey will be happy.
Before supper Miss Massey'll have felt awful tired and she'll hurry up
things and she'll make her eldest little girl hurry too, but after the
dishes are cleared away, and she's sitting close to Robert, she'll be so
glad she's in out of the rain with her children all in safe too, that
she'll not care a bit about raising her finger for a little man to come
and ask her what she wants. She'll not want to go about in a carriage,
or travel in a big train!"
No one spoke. Only the scene painted so simply grew in the hearts of at
least two there, so that Robert drew his promised wife a little closer
to him and she glanced up in his face with eyes full of color.
Suzanna went on. She had forgotten her audience. She was just telling
out the pictures that had been built into her life; supper tables with
many young faces about; little babies who had stayed just awhile; hasty
words and loving making up; the star-dust of the real every-day life.
Public-domain text, read in full here on John Shaqi.
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