Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
This was not to say that M. Legrandin was anything but sincere when he
inveighed against snobs. He could not (from his own knowledge, at least)
be aware that he was one also, since it is only with the passions of
others that we are ever really familiar, and what we come to find out
about our own can be no more than what other people have shewn us. Upon
ourselves they react but indirectly, through our imagination, which
substitutes for our actual, primary motives other, secondary motives,
less stark and therefore more decent. Never had Legrandin's snobbishness
impelled him to make a habit of visiting a duchess as such. Instead, it
would set his imagination to make that duchess appear, in Legrandin's
eyes, endowed with all the graces. He would be drawn towards the
duchess, assuring himself the while that he was yielding to the
attractions of her mind, and her other virtues, which the vile race of
snobs could never understand. Only his fellow-snobs knew that he was
of their number, for, owing to their inability to appreciate the
intervening efforts of his imagination, they saw in close juxtaposition
the social activities of Legrandin and their primary cause.
At home, meanwhile, we had no longer any illusions as to M. Legrandin,
and our relations with him had become much more distant. Mamma would be
greatly delighted whenever she caught him red-handed in the sin, which
he continued to call the unpardonable sin, of snobbery. As for my
father, he found it difficult to take Legrandin's airs in so light, in
so detached a spirit; and when there was some talk, one year, of sending
me to spend the long summer holidays at Balbec with my grandmother,
he said: "I must, most certainly, tell Legrandin that you are going to
Balbec, to see whether he will offer you an introduction to his sister.
He probably doesn't remember telling us that she lived within a mile of
the place."
Public-domain text, read in full here on John Shaqi.
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