Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
Saint-André-des-Champs, themselves as tapering, scaly, plated,
honeycombed, yellowed, and roughened as two ears of wheat.
At regular intervals, among the inimitable ornamentation of their
leaves, which can be mistaken for those of no other fruit-tree, the
apple-trees were exposing their broad petals of white satin, or hanging
in shy bunches their unopened, blushing buds. It was while going
the 'Méséglise way' that I first noticed the circular shadow which
apple-trees cast upon the sunlit ground, and also those impalpable
threads of golden silk which the setting sun weaves slantingly downwards
from beneath their leaves, and which I would see my father slash through
with his stick without ever making them swerve from their straight path.
Sometimes in the afternoon sky a white moon would creep up like a little
cloud, furtive, without display, suggesting an actress who does not have
to 'come on' for a while, and so goes 'in front' in her ordinary
clothes to watch the rest of the company for a moment, but keeps in the
background, not wishing to attract attention to herself. I was glad to
find her image reproduced in books and paintings, though these works of
art were very different--at least in my earlier years, before Bloch had
attuned my eyes and mind to more subtle harmonies--from those in
which the moon seems fair to me to-day, but in which I should not have
recognised her then. It might be, for instance, some novel by Saintine,
some landscape by Gleyre, in which she is cut out sharply against the
sky, in the form of a silver sickle, some work as unsophisticated and
as incomplete as were, at that date, my own impressions, and which it
enraged my grandmother's sisters to see me admire. They held that one
ought to set before children, and that children shewed their own innate
good taste in admiring, only such books and pictures as they would
continue to admire when their minds were developed and mature. No doubt
they regarded aesthetic values as material objects which an unclouded
vision could not fail to discern, without needing to have their
equivalent in experience of life stored up and slowly ripening in one's
heart.
Public-domain text, read in full here on John Shaqi.
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