Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
There, too, not fastened to the wall like the little angels, but
detached from the porch, of more than human stature, erect upon her
pedestal as upon a footstool, which had been placed there to save her
feet from contact with the wet ground, stood a saint with the full
cheeks, the firm breasts which swelled out inside her draperies like
a cluster of ripe grapes inside a bag, the narrow forehead, short and
stubborn nose, deep-set eyes, and strong, thick-skinned, courageous
expression of the country-women of those parts. This similarity, which
imparted to the statue itself a kindliness that I had not looked to
find in it, was corroborated often by the arrival of some girl from
the fields, come, like ourselves, for shelter beneath the porch, whose
presence there--as when the leaves of a climbing plant have grown up
beside leaves carved in stone--seemed intended by fate to allow us, by
confronting it with its type in nature, to form a critical estimate
of the truth of the work of art. Before our eyes, in the distance, a
promised or an accursed land, Roussainville, within whose walls I had
never penetrated, Roussainville was now, when the rain had ceased for
us, still being chastised, like a village in the Old Testament, by
all the innumerable spears and arrows of the storm, which beat down
obliquely upon the dwellings of its inhabitants, or else had already
received the forgiveness of the Almighty, Who had restored to it the
light of His sun, which fell upon it in rays of uneven length, like the
rays of a monstrance upon an altar.
Public-domain text, read in full here on John Shaqi.
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