Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
Alas, it was in vain that I implored the dungeon-keep of Roussainville,
that I begged it to send out to meet me some daughter of its village,
appealing to it as to the sole confidant to whom I had disclosed my
earliest desire when, from the top floor of our house at Combray, from
the little room that smelt of orris-root, I had peered out and seen
nothing but its tower, framed in the square of the half-opened window,
while, with the heroic scruples of a traveller setting forth for
unknown climes, or of a desperate wretch hesitating on the verge of
self-destruction, faint with emotion, I explored, across the bounds of
my own experience, an untrodden path which, I believed, might lead me to
my death, even--until passion spent itself and left me shuddering among
the sprays of flowering currant which, creeping in through the window,
tumbled all about my body. In vain I called upon it now. In vain I
compressed the whole landscape into my field of vision, draining it with
an exhaustive gaze which sought to extract from it a female creature. I
might go alone as far as the porch of Saint-André-des-Champs: never did
I find there the girl whom I should inevitably have met, had I been with
my grandfather, and so unable to engage her in conversation. I would fix
my eyes, without limit of time, upon the trunk of a distant tree, from
behind which she must appear and spring towards me; my closest scrutiny
left the horizon barren as before; night was falling; without any hope
now would I concentrate my attention, as though to force up out of it
the creatures which it must conceal, upon that sterile soil, that stale
and outworn land; and it was no longer in lightness of heart, but with
sullen anger that I aimed blows at the trees of Roussainville wood, from
among which no more living creatures made their appearance than if they
had been trees painted on the stretched canvas background of a panorama,
when, unable to resign myself to having to return home without having
held in my arms the woman I so greatly desired, I was yet obliged to
retrace my steps towards Combray, and to admit to myself that the chance
of her appearing in my path grew smaller every moment. And if she had
appeared, would I have dared to speak to her? I felt that she would have
regarded me as mad, for I no longer thought of those desires which came
to me on my walks, but were never realized, as being shared by others,
or as having any existence apart from myself. They seemed nothing more
now than the purely subjective, impotent, illusory creatures of my
temperament. They were in no way connected now with nature, with the
world of real things, which from now onwards lost all its charm and
significance, and meant no more to my life than a purely conventional
framework, just as the action of a novel is framed in the railway
carriage, on a seat of which a traveller is reading it to pass the time.
Public-domain text, read in full here on John Shaqi.
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