Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
had had on this side the course of the Vivonne as a barrier and defence
against attack from the Lords of Guermantes and Abbots of Martinville.
Nothing was left now but a few stumps of towers, hummocks upon the broad
surface of the fields, hardly visible, broken battlements over which, in
their day, the bowmen had hurled down stones, the watchmen had gazed out
over Novepont, Clairefontaine, Martinville-le-Sec, Bailleau-l'Exempt,
fiefs all of them of Guermantes, a ring in which Combray was locked;
but fallen among the grass now, levelled with the ground, climbed and
commanded by boys from the Christian Brothers' school, who came there
in their playtime, or with lesson-books to be conned; emblems of a past
that had sunk down and well-nigh vanished under the earth, that lay by
the water's edge now, like an idler taking the air, yet giving me strong
food for thought, making the name of Combray connote to me not the
little town of to-day only, but an historic city vastly different,
seizing and holding my imagination by the remote, incomprehensible
features which it half-concealed beneath a spangled veil of buttercups.
For the buttercups grew past numbering on this spot which they had
chosen for their games among the grass, standing singly, in couples, in
whole companies, yellow as the yolk of eggs, and glowing with an added
lustre, I felt, because, being powerless to consummate with my palate
the pleasure which the sight of them never failed to give me, I would
let it accumulate as my eyes ranged over their gilded expanse, until
it had acquired the strength to create in my mind a fresh example of
absolute, unproductive beauty; and so it had been from my earliest
childhood, when from the tow-path I had stretched out my arms towards
them, before even I could pronounce their charming name--a name fit for
the Prince in some French fairy-tale; colonists, perhaps, in some far
distant century from Asia, but naturalised now for ever in the village,
well satisfied with their modest horizon, rejoicing in the sunshine
and the water's edge, faithful to their little glimpse of the
railway-station; yet keeping, none the less, as do some of our old
paintings, in their plebeian simplicity, a poetic scintillation from the
golden East.
Public-domain text, read in full here on John Shaqi.
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