Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
any way, not to seem to be despising those humbler mortals over whom
that current flowed, by whom it was everywhere arrested. I can see
again to-day, above her mauve scarf, silky and buoyant, the gentle
astonishment in her eyes, to which she had added, without daring to
address it to anyone in particular, but so that everyone might enjoy his
share of it, the almost timid smile of a sovereign lady who seems to
be making an apology for her presence among the vassals whom she loves.
This smile rested upon myself, who had never ceased to follow her with
my eyes. And I, remembering the glance which she had let fall upon me
during the service, blue as a ray of sunlight that had penetrated the
window of Gilbert the Bad, said to myself, "Of course, she is thinking
about me." I fancied that I had found favour in her sight, that she
would continue to think of me after she had left the church, and would,
perhaps, grow pensive again, that evening, at Guermantes, on my account.
And at once I fell in love with her, for if it is sometimes enough to
make us love a woman that she looks on us with contempt, as I supposed
Mlle. Swann to have done, while we imagine that she cannot ever be ours,
it is enough, also, sometimes that she looks on us kindly, as Mme. de
Guermantes did then, while we think of her as almost ours already. Her
eyes waxed blue as a periwinkle flower, wholly beyond my reach, yet
dedicated by her to me; and the sun, bursting out again from behind
a threatening cloud and darting the full force of its rays on to the
Square and into the sacristy, shed a geranium glow over the red carpet
laid down for the wedding, along which Mme. de Guermantes smilingly
advanced, and covered its woollen texture with a nap of rosy velvet, a
bloom of light, giving it that sort of tenderness, of solemn sweetness
in the pomp of a joyful celebration, which characterises certain pages
of _Lohengrin_, certain paintings by Carpaccio, and makes us understand
how Baudelaire was able to apply to the sound of the trumpet the epithet
'delicious.'
Public-domain text, read in full here on John Shaqi.
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