Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
No doubt, in thus remembering their conversations, in thinking about her
thus when he was alone, he did no more than call her image into being
among those of countless other women in his romantic dreams; but if,
thanks to some accidental circumstance (or even perhaps without that
assistance, for the circumstance which presents itself at the moment
when a mental state, hitherto latent, makes itself felt, may well have
had no influence whatsoever upon that state), the image of Odette de
Crécy came to absorb the whole of his dreams, if from those dreams
the memory of her could no longer be eliminated, then her bodily
imperfections would no longer be of the least importance, nor would the
conformity of her body, more or less than any other, to the requirements
of Swann's taste; since, having become the body of her whom he loved, it
must henceforth be the only one capable of causing him joy or anguish.
It so happened that my grandfather had known--which was more than could
be said of any other actual acquaintance--the family of these Verdurins.
But he had entirely severed his connection with what he called "young
Verdurin," taking a general view of him as one who had fallen--though
without losing hold of his millions--among the riff-raff of Bohemia. One
day he received a letter from Swann asking whether my grandfather could
put him in touch with the Verdurins. "On guard! on guard!" he exclaimed
as he read it, "I am not at all surprised; Swann was bound to finish up
like this. A nice lot of people! I cannot do what he asks, because, in
the first place, I no longer know the gentleman in question. Besides,
there must be a woman in it somewhere, and I don't mix myself up in such
matters. Ah, well, we shall see some fun if Swann begins running after
the little Verdurins."
And on my grandfather's refusal to act as sponsor, it was Odette herself
who had taken Swann to the house.
The Verdurins had had dining with them, on the day when Swann made his
first appearance, Dr. and Mme. Cottard, the young pianist and his aunt,
and the painter then in favour, while these were joined, in the course
of the evening, by several more of the 'faithful.'
Public-domain text, read in full here on John Shaqi.
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