Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
found when, in his adolescence, he had fancied himself an artist; with
this difference, that what charm lay in them now was conferred by Odette
alone. He could feel reawakening in himself the inspirations of his
boyhood, which had been dissipated among the frivolities of his later
life, but they all bore, now, the reflection, the stamp of a particular
being; and during the long hours which he now found a subtle pleasure
in spending at home, alone with his convalescent spirit, he became
gradually himself again, but himself in thraldom to another.
He went to her only in the evenings, and knew nothing of how she spent
her time during the day, any more than he knew of her past; so little,
indeed, that he had not even the tiny, initial clue which, by allowing
us to imagine what we do not know, stimulates a desire for knowledge.
And so he never asked himself what she might be doing, or what her life
had been. Only he smiled sometimes at the thought of how, some years
earlier, when he still did not know her, some one had spoken to him of a
woman who, if he remembered rightly, must certainly have been Odette,
as of a 'tart,' a 'kept' woman, one of those women to whom he still
attributed (having lived but little in their company) the entire set of
characteristics, fundamentally perverse, with which they had been, for
many years, endowed by the imagination of certain novelists. He would
say to himself that one has, as often as not, only to take the exact
counterpart of the reputation created by the world in order to judge a
person fairly, when with such a character he contrasted that of Odette,
so good, so simple, so enthusiastic in the pursuit of ideals, so nearly
incapable of not telling the truth that, when he had once begged her, so
that they might dine together alone, to write to Mme. Verdurin, saying
that she was unwell, the next day he had seen her, face to face
with Mme. Verdurin, who asked whether she had recovered, blushing,
stammering, and, in spite of herself, revealing in every feature how
painful, what a torture it was to her to act a lie; and, while in her
answer she multiplied the fictitious details of an imaginary illness,
seeming to ask pardon, by her suppliant look and her stricken accents,
for the obvious falsehood of her words.
Public-domain text, read in full here on John Shaqi.
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