Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
Like everything else that formed part of Odette's environment, and was
no more, in a sense, than the means whereby he might see and talk to her
more often, he enjoyed the society of the Verdurins. With them, since,
at the heart of all their entertainments, dinners, musical evenings,
games, suppers in fancy dress, excursions to the country, theatre
parties, even the infrequent 'big evenings' when they entertained
'bores,' there were the presence of Odette, the sight of Odette,
conversation with Odette, an inestimable boon which the Verdurins, by
inviting him to their house, bestowed on Swann, he was happier in the
little 'nucleus' than anywhere else, and tried to find some genuine
merit in each of its members, imagining that his tastes would lead him
to frequent their society for the rest of his life. Never daring to
whisper to himself, lest he should doubt the truth of the suggestion,
that he would always be in love with Odette, at least when he tried to
suppose that he would always go to the Verdurins' (a proposition
which, a priori, raised fewer fundamental objections on the part of his
intelligence), he saw himself for the future continuing to meet Odette
every evening; that did not, perhaps, come quite to the same thing as
his being permanently in love with her, but for the moment while he was
in love with her, to feel that he would not, one day, cease to see her
was all that he could ask. "What a charming atmosphere!" he said to
himself. "How entirely genuine life is to these people! They are far
more intelligent, far more artistic, surely, than the people one knows.
Mme. Verdurin, in spite of a few trifling exaggerations which are rather
absurd, has a sincere love of painting and music! What a passion for
works of art, what anxiety to give pleasure to artists! Her ideas about
some of the people one knows are not quite right, but then their ideas
about artistic circles are altogether wrong! Possibly I make no great
intellectual demands upon conversation, but I am perfectly happy talking
to Cottard, although he does trot out those idiotic puns. And as for
the painter, if he is rather unpleasantly affected when he tries to be
paradoxical, still he has one of the finest brains that I have ever come
across. Besides, what is most important, one feels quite free there, one
does what one likes without constraint or fuss. What a flow of humour
there is every day in that drawing-room! Certainly, with a few rare
exceptions, I never want to go anywhere else again. It will become more
and more of a habit, and I shall spend the rest of my life among them."
Public-domain text, read in full here on John Shaqi.
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