Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
A sort of wit like Brichot's would have been regarded as out-and-out
stupidity by the people among whom Swann had spent his early life,
for all that it is quite compatible with real intelligence. And the
intelligence of the Professor's vigorous and well-nourished brain might
easily have been envied by many of the people in society who seemed
witty enough to Swann. But these last had so thoroughly inculcated into
him their likes and dislikes, at least in everything that pertained
to their ordinary social existence, including that annex to social
existence which belongs, strictly speaking, to the domain of
intelligence, namely, conversation, that Swann could not see anything
in Brichot's pleasantries; to him they were merely pedantic, vulgar,
and disgustingly coarse. He was shocked, too, being accustomed to
good manners, by the rude, almost barrack-room tone which this
student-in-arms adopted, no matter to whom he was speaking. Finally,
perhaps, he had lost all patience that evening as he watched Mme.
Verdurin welcoming, with such unnecessary warmth, this Forcheville
fellow, whom it had been Odette's unaccountable idea to bring to the
house. Feeling a little awkward, with Swann there also, she had asked
him on her arrival: "What do you think of my guest?"
And he, suddenly realising for the first time that Forcheville, whom
he had known for years, could actually attract a woman, and was quite a
good specimen of a man, had retorted: "Beastly!" He had, certainly,
no idea of being jealous of Odette, but did not feel quite so happy as
usual, and when Brichot, having begun to tell them the story of Blanche
of Castile's mother, who, according to him, "had been with Henry
Plantagenet for years before they were married," tried to prompt Swann
to beg him to continue the story, by interjecting "Isn't that so, M.
Swann?" in the martial accents which one uses in order to get down to
the level of an unintelligent rustic or to put the 'fear of God' into
a trooper, Swann cut his story short, to the intense fury of their
hostess, by begging to be excused for taking so little interest in
Blanche of Castile, as he had something that he wished to ask the
painter. He, it appeared, had been that afternoon to an exhibition of
the work of another artist, also a friend of Mme. Verdurin, who had
recently died, and Swann wished to find out from him (for he valued
his discrimination) whether there had really been anything more in this
later work than the virtuosity which had struck people so forcibly in
his earlier exhibitions.
"From that point of view it was extraordinary, but it did not seem to me
to be a form of art which you could call 'elevated,'" said Swann with a
smile.
"Elevated... to the height of an Institute!" interrupted Cottard,
raising his arms with mock solemnity. The whole table burst out
laughing.
Public-domain text, read in full here on John Shaqi.
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