Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
"Oh dear, no!" he answered, and then, thinking that if he made himself
pleasant to Swann he might find favour with Odette, he decided to
take this opportunity of flattering him by speaking of his fashionable
friends, but speaking as a man of the world himself, in a tone of
good-natured criticism, and not as though he were congratulating Swann
upon some undeserved good fortune: "Isn't that so, Swann? I never see
anything of you, do I?--But then, where on earth is one to see him? The
creature spends all his time shut up with the La Trémoïlles, with the
Laumes and all that lot!" The imputation would have been false at any
time, and was all the more so, now that for at least a year Swann had
given up going to almost any house but the Verdurins'. But the mere
names of families whom the Verdurins did not know were received by them
in a reproachful silence. M. Verdurin, dreading the painful impression
which the mention of these 'bores,' especially when flung at her in this
tactless fashion, and in front of all the 'faithful,' was bound to
make on his wife, cast a covert glance at her, instinct with anxious
solicitude. He saw then that in her fixed resolution to take no notice,
to have escaped contact, altogether, with the news which had just been
addressed to her, not merely to remain dumb but to have been deaf
as well, as we pretend to be when a friend who has been in the wrong
attempts to slip into his conversation some excuse which we should
appear to be accepting, should we appear to have heard it without
protesting, or when some one utters the name of an enemy, the very
mention of whom in our presence is forbidden; Mme. Verdurin, so that
her silence should have the appearance, not of consent but of the
unconscious silence which inanimate objects preserve, had suddenly
emptied her face of all life, of all mobility; her rounded forehead was
nothing, now, but an exquisite study in high relief, which the name of
those La Trémoïlles, with whom Swann was always 'shut up,' had failed
to penetrate; her nose, just perceptibly wrinkled in a frown, exposed to
view two dark cavities that were, surely, modelled from life. You would
have said that her half-opened lips were just about to speak. It was
all no more, however, than a wax cast, a mask in plaster, the sculptor's
design for a monument, a bust to be exhibited in the Palace of Industry,
where the public would most certainly gather in front of it and marvel
to see how the sculptor, in expressing the unchallengeable dignity of
the Verdurins, as opposed to that of the La Trémoïlles or Laumes, whose
equals (if not, indeed, their betters) they were, and the equals and
betters of all other 'bores' upon the face of the earth, had managed to
invest with a majesty that was almost Papal the whiteness and rigidity
of his stone. But the marble at last grew animated and let it be
understood that it didn't do to be at all squeamish if one went to that
Public-domain text, read in full here on John Shaqi.
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