Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
"What do you think of the airs that Swann is pleased to put on with
us?" Mme. Verdurin asked her husband when they had reached home. "I was
afraid he was going to eat me, simply because we offered to take Odette
back. It really is too bad, that sort of thing. Why doesn't he say,
straight out, that we keep a disorderly house? I can't conceive how
Odette can stand such manners. He positively seems to be saying, all the
time, 'You belong to me!' I shall tell Odette exactly what I think about
it all, and I hope she will have the sense to understand me." A moment
later she added, inarticulate with rage: "No, but, don't you see, the
filthy creature..." using unconsciously, and perhaps in satisfaction of
the same obscure need to justify herself--like Françoise at Combray when
the chicken refused to die--the very words which the last convulsions of
an inoffensive animal in its death agony wring from the peasant who is
engaged in taking its life. And when Mme. Verdurin's carriage had moved
on, and Swann's took its place, his coachman, catching sight of his
face, asked whether he was unwell, or had heard bad news.
Swann sent him away; he preferred to walk, and it was on foot, through
the Bois, that he came home. He talked to himself, aloud, and in
the same slightly affected tone which he had been used to adopt
when describing the charms of the 'little nucleus' and extolling the
magnanimity of the Verdurins. But just as the conversation, the smiles,
the kisses of Odette became as odious to him as he had once found
them charming, if they were diverted to others than himself, so the
Verdurins' drawing-room, which, not an hour before, had still seemed
to him amusing, inspired with a genuine feeling for art and even with
a sort of moral aristocracy, now that it was another than himself whom
Odette was going to meet there, to love there without restraint, laid
bare to him all its absurdities, its stupidity, its shame.
He drew a fanciful picture, at which he shuddered in disgust, of the
party next evening at Chatou. "Imagine going to Chatou, of all places!
Like a lot of drapers after closing time! Upon my word, these people are
sublime in their smugness; they can't really exist; they must all have
come out of one of Labiche's plays!"
The Cottards would be there; possibly Brichot. "Could anything be more
grotesque than the lives of these little creatures, hanging on to one
another like that. They'd imagine they were utterly lost, upon my soul
they would, if they didn't all meet again to-morrow at _Chatou_!"
Alas! there would be the painter there also, the painter who enjoyed
match-making, who would invite Forcheville to come with Odette to his
studio. He could see Odette, in a dress far too smart for the country,
"for she is so vulgar in that way, and, poor little thing, she is such a
fool!"
Public-domain text, read in full here on John Shaqi.
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