Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
was opening the door to go, when he heard himself called back in these
words (which, by cutting off from the party that possible ending which
had so appalled him, made the party itself seem innocent in retrospect,
made Odette's return home a thing no longer inconceivable and terrible,
but tender and familiar, a thing that kept close to his side, like
a part of his own daily life, in his carriage; a thing that stripped
Odette herself of the excess of brilliance and gaiety in her appearance,
shewed that it was only a disguise which she had assumed for a moment,
for his sake and not in view of any mysterious pleasures, a disguise of
which she had already wearied)--in these words, which Odette flung out
after him as he was crossing the threshold: "Can't you wait a minute for
me? I'm just going; we'll drive back together and you can drop me." It
was true that on one occasion Forcheville had asked to be driven home at
the same time, but when, on reaching Odette's gate, he had begged to be
allowed to come in too, she had replied, with a finger pointed at Swann:
"Ah! That depends on this gentleman. You must ask him. Very well, you
may come in, just for a minute, if you insist, but you mustn't stay
long, for, I warn you, he likes to sit and talk quietly with me, and
he's not at all pleased if I have visitors when he's here. Oh, if you
only knew the creature as I know him; isn't that so, my love, there's no
one that really knows you, is there, except me?"
And Swann was, perhaps, even more touched by the spectacle of her
addressing him thus, in front of Forcheville, not only in these tender
words of predilection, but also with certain criticisms, such as: "I
feel sure you haven't written yet to your friends, about dining with
them on Sunday. You needn't go if you don't want to, but you might at
least be polite," or "Now, have you left your essay on Vermeer here, so
that you can do a little more to it to-morrow? What a lazy-bones! I'm
going to make you work, I can tell you," which proved that Odette kept
herself in touch with his social engagements and his literary work, that
they had indeed a life in common. And as she spoke she bestowed on him a
smile which he interpreted as meaning that she was entirely his.
Public-domain text, read in full here on John Shaqi.
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