Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
It sometimes happened, again, that, when, after meeting Swann, she saw
some man approaching whom he did not know, he could distinguish upon
Odette's face that look of sorrow which she had worn on the day when he
had come to her while Forcheville was there. But this was rare; for, on
the days when, in spite of all that she had to do, and of her dread
of what people would think, she did actually manage to see Swann, the
predominant quality in her attitude, now, was self-assurance; a striking
contrast, perhaps an unconscious revenge for, perhaps a natural reaction
from the timorous emotion which, in the early days of their friendship,
she had felt in his presence, and even in his absence, when she began a
letter to him with the words: "My dear, my hand trembles so that I can
scarcely write." (So, at least, she pretended, and a little of that
emotion must have been sincere, or she would not have been anxious to
enlarge and emphasise it.) So Swann had been pleasing to her then. Our
hands do not tremble except for ourselves, or for those whom we love.
When they have ceased to control our happiness how peaceful, how easy,
how bold do we become in their presence! In speaking to him, in writing
to him now, she no longer employed those words by which she had
sought to give herself the illusion that he belonged to her, creating
opportunities for saying "my" and "mine" when she referred to him: "You
are all that I have in the world; it is the perfume of our friendship, I
shall keep it," nor spoke to him of the future, of death itself, as of
a single adventure which they would have to share. In those early days,
whatever he might say to her, she would answer admiringly: "You know,
you will never be like other people!"--she would gaze at his long,
slightly bald head, of which people who know only of his successes
used to think: "He's not regularly good-looking, if you like, but he is
smart; that tuft, that eyeglass, that smile!" and, with more curiosity
perhaps to know him as he really was than desire to become his mistress,
she would sigh:
"I do wish I could find out what there is in that head of yours!"
But, now, whatever he might say, she would answer, in a tone sometimes
of irritation, sometimes indulgent: "Ah! so you never will be like other
people!"
She would gaze at his head, which was hardly aged at all by his recent
anxieties (though people now thought of it, by the same mental process
which enables one to discover the meaning of a piece of symphonic music
of which one has read the programme, or the 'likenesses' in a child
whose family one has known: "He's not positively ugly, if you like,
but he is really rather absurd; that eyeglass, that tuft, that smile!"
realising in their imagination, fed by suggestion, the invisible
boundary which divides, at a few months' interval, the head of an ardent
lover from a cuckold's), and would say:
"Oh, I do wish I could change you; put some sense into that head of
yours."
Public-domain text, read in full here on John Shaqi.
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