Autobiographical fiction; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
"Oh, I admit," he went on, with his own peculiar smile, gently ironical,
disillusioned and vague, "I have every useless thing in the world in
my house there. The only thing wanting is the necessary thing, a great
patch of open sky like this. Always try to keep a patch of sky above
your life, little boy," he added, turning to me. "You have a soul in
you of rare quality, an artist's nature; never let it starve for lack of
what it needs."
When, on our reaching the house, my aunt would send to ask us whether
Mme. Goupil had indeed arrived late for mass, not one of us could inform
her. Instead, we increased her anxiety by telling her that there was
a painter at work in the church copying the window of Gilbert the
Bad. Françoise was at once dispatched to the grocer's, but returned
empty-handed owing to the absence of Théodore, whose dual profession of
choirman, with a part in the maintenance of the fabric, and of grocer's
assistant gave him not only relations with all sections of society, but
an encyclopaedic knowledge of their affairs.
"Ah!" my aunt would sigh, "I wish it were time for Eulalie to come. She
is really the only person who will be able to tell me."
Eulalie was a limping, energetic, deaf spinster who had 'retired' after
the death of Mme. de la Bretonnerie, with whom she had been in service
from her childhood, and had then taken a room beside the church, from
which she would incessantly emerge, either to attend some service,
or, when there was no service, to say a prayer by herself or to give
Théodore a hand; the rest of her time she spent in visiting sick persons
like my aunt Léonie, to whom she would relate everything that had
occurred at mass or vespers. She was not above adding occasional
pocket-money to the little income which was found for her by the family
of her old employers by going from time to time to look after the Curé's
linen, or that of some other person of note in the clerical world of
Combray. Above a mantle of black cloth she wore a little white coif that
seemed almost to attach her to some Order, and an infirmity of the
skin had stained part of her cheeks and her crooked nose the bright red
colour of balsam. Her visits were the one great distraction in the life
of my aunt Léonie, who now saw hardly anyone else, except the reverend
Curé. My aunt had by degrees erased every other visitor's name from
her list, because they all committed the fatal error, in her eyes,
of falling into one or other of the two categories of people she most
detested. One group, the worse of the two, and the one of which she rid
herself first, consisted of those who advised her not to take so much
care of herself, and preached (even if only negatively and with no
outward signs beyond an occasional disapproving silence or doubting
smile) the subversive doctrine that a sharp walk in the sun and a good
red beefsteak would do her more good (her, who had had two dreadful sips
Public-domain text, read in full here on John Shaqi.
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