The king, who for the time being had none of his best officers around
him, spent the night in a wagon, together with Duke Bernhard and
Kniephausen. He rose in the morning, dressed, without armor, in a
blouse and a gray coat, and mounted his usual white charger, without
having tasted food. He conducted in person the morning prayers of the
army, when Luther’s psalm, “Eine feste Burg ist unser Gott,” was sung.
After the song had ceased, the king made a short speech in Swedish,
which he repeated in German. He said: “There you have the enemy. He is
not now at the top of the hill or behind intrenchments, but in the
open field. You know well how eagerly he has sought to avoid a conflict
and that he is forced to fight because he cannot escape us. Fight,
then, my dear countrymen and friends, for God, your country and your
king. I will reward you all. But if you flinch, you know well that not
a man of you will ever see his country again.” Then the psalm, “Versage
nicht du Hæuflein klein,” the words of which were written in German by
Gustavus Adolphus himself, was sung. The king gave the sign of attack
by waving his sword over his head and cried: “Forward in God’s name;
Jesu, Jesu, Jesu, help us to-day to strive to the honor of thy holy
name!”
It was eleven o’clock, and the mists had, to a great extent, scattered.
The Swedish centre, with the battery behind, marched toward the
highway. The left wing made an attempt to penetrate between the burning
Lutzen and the batteries below the windmills. A terrible fire from
muskets and cannon met the attacking Swedes. Whole lines of infantry
were killed. The left wing suffered in particular. But when the Swedes
reached their destination, the centre moved on with great force,
cleaning the ditches of musketeers, capturing seven pieces of artillery
and making two of the great squares of imperial infantry retire from
their position. While fighting the third, the Swedes were surprised by
the reserve and cavalry forces of the enemy, and had to abandon what
they had taken, retiring into the open field.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account