“There rests o’er Gustav’s days a golden shimmer,
Fantastic, foreign, frivolous, if you please;
But why complain when _sunshine_ caused the glamour?
Where stood we now if it were not for these?
All culture on an unfree ground is builded,
And barbarous once the base of patriotism true;
But wit was planted, iron-hard language welded,
The song was raised, life more enjoyed and shielded,
And what Gustavian was, is, therefore, Swedish too.”
In the mixture of patriotism and unreserved cosmopolitanism, true
genius and superficiality, earnestness and recklessness in the
character of Gustavus III., the Swedes have recognized peculiarities
of their own national temperament, for which they are tempted to love
him as dearly, although not considering him to be as great, as his two
predecessors and namesakes on the Swedish throne. By his eloquence, wit
and amiability, his personality charmed even his enemies. In contrast
to the sombre autocrats of the Barocco period, Gustavus III. was a
typical Rococo monarch, and he tried to give the charms and grace of
the Rococo epoch to his surroundings. In appearance, he was of middle
size, slender and graceful, with a face which bespoke genius, and eyes
of unusual size and brilliancy.
_Gustavus IV. Adolphus_ was a boy of thirteen at the death of his
father. His uncle, Prince Charles, was regent in name, but Baron
Reuterholm, the latter’s favorite, was the real head of the government.
Compared to the eccentric but energetic, generous and liberal
despotism of Gustavus III., Reuterholm’s was a rule of pettiness,
incapability, revenge and hypocrisy. Prince Charles was a good
soldier, but early lost all energy through dissipation and a natural
tendency to mysticism, secrecy and simulation. Reuterholm was a good
worker, but of no ability as a statesman, sharing and increasing the
love of mysticism and superstition characteristic of his master. The
new policy was to estrange the friends and favorites of Gustavus III.
as much as possible, they all being sent away under various pretexts.
Prince Charles had from the start declared invalid the postscript of
the king’s will, according to which Count Armfelt was to take part in
the government. Later a conspiracy, with Armfelt as the leader, was
detected, when he, who was abroad and later entered Russian service,
was declared to have forfeited his property, rank and life. A young
woman, Lady Madelaine Rudenschiold, who was one of the conspirators,
was punished by being exhibited to the mob on the place of execution
and afterward imprisoned.
Public-domain text, read in full here on John Shaqi.
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