Sweet Hampstead and Its AssociationsWhite, Caroline A.
History
Sweet Hampstead and Its Associations
White, Caroline A.
Hampstead (London, England) -- History
‘Fear, the most dramatic passion you have hitherto touched,
because capable of being drawn to the most extreme paroxysm on
the stage. In Ozra you have all the gradations from timidity
excited by strong and irritable imagination to the extremity
which altogether unhinges the understanding. The most dreadful
fright I ever had in my life (being neither constitutionally
timid nor in the way of being exposed to real danger) was in
returning from Hampstead the day which I spent so pleasantly
with you. Although the evening was nearly closed, I foolishly
chose to take the short-cut through the fields, and in the
enclosure where the path leads by a thick and high hedge with
several gaps. In it, however, did I meet with one of your
thoroughpaced London ruffians—at least, judging from the
squalid and jail-bird appearance and blackguard expression of
countenance. Like the man who met the Devil, I had nothing to
say to him, if he had nothing to say to me; but I could not
help looking back to watch the movements of such a suspicious
figure, and, to my great uneasiness, saw him creep through the
hedge on my left hand. I instantly went to the first gap to
watch his motions, and saw him stooping, as I thought, either
to pick up a bundle or to speak to someone lying in the ditch.
Immediately after he came cowering back, up the opposite side
of the hedge, as returning to me under cover of it. I saw no
weapon he had except a stick, but, as I moved on to gain the
stile which was to let me into the free field, with the idea
of a wretch springing upon me from the cover at every step I
took, I assure you I would not wish the worst enemy I ever had
to undergo such a feeling as I had for about five minutes.
My fancy made him of that description which usually combines
murder with plunder; and though I was armed with a stout stick,
and a very formidable knife, which when open becomes a sort of
_shene-dhu_, or dagger, I confess my sensations, though those
of a man resolved not to die like a sheep, were vilely short
of heroism. So much so that, when I jumped over the stile, a
sliver of the wood ran a third of an inch between my nail and
the flesh without my feeling the pain, or being sensible that
such a thing had occurred. However, I saw my man no more, and
it is astonishing how my spirits rose when I got into the open
field; and when I reached the top of the little mount, and all
the bells of London’ (it was probably on a Sunday evening)
‘began to jingle at once, I thought I had never heard anything
so delightful in my life, so rapid are the alternations of our
feelings.’[156]
Public-domain text, read in full here on John Shaqi.
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