Sweet Mace: A Sussex Legend of the Iron TimesFenn, George Manville
General
Sweet Mace: A Sussex Legend of the Iron Times
Fenn, George Manville
Sussex (England) -- Fiction
The night was again close and heavy, and he had no difficulty in
obtaining four glow-worms, whose bright tails shed their liquid golden
light, as he carefully raised them, bore them to the bank, and placed
them diamond-wise, as of old. Then going cautiously to the edge of the
river, he saw the bridge was in its place; crossed, listened, found all
perfectly still, and went on to the open space beneath the projecting
gable where Mace's window looked out from its clustering roses.
The light was out and the casement closed, and, though he waited, she
made no sign.
To have called to her or whistled would have been to give notice of his
presence to the founder, who might in his choler open a window and fire
upon him. He did, however, venture to throw up a few tiny pebbles,
which rattled loudly upon the glass, but that was all.
There was still no reply, not that Mace had not seen the glow-worms nor
heard the other signals, but she felt that she could not respond to him
that night. Her heart was sore within her, and, think of what she
would, there ever before her was the little scene in the lane, with
Mistress Anne leaning so lovingly upon Gil, and in spite of all that had
passed--words, protestations, and the like--there was always the feeling
upon her that Gil must have spoken tender words to Anne Beckley, or she
would never have behaved to him as she did.
Then came other, older troubles, the thoughts of Mother Goodhugh and her
curses on her father's trade--the trade that gave her many an aching
heart--for living in that sylvan home it seemed so terrible and sad that
all her father's works should be given to that one aim, the making of
weapons of war, and the powder that should be used therein. Great
pieces of artillery cast and finished with such care--the black shiny
grains of powder, and for what? Solely to crush out life, to wage war,
with misery, suffering, and pain. It seemed so terrible, and strange,
and wrong, that those she loved should treat this trade so lightly, and
readily distribute all that could be made.
Sweet Mace sighed, for her spirits were low indeed, and the thoughts
that had haunted her these many years, even from childhood, came
stronger than ever. Death, shadowy death, seemed to follow all her
father's works, so that she asked herself was she not guilty in being
there a participator as it were in all her father's acts, and whether
she ought not to protest against his trade, and pray him to change his
forges to the furtherance of a more peaceful end?
Public-domain text, read in full here on John Shaqi.
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