Sylvia & Michael: The later adventures of Sylvia ScarlettMacKenzie, Compton
General
Sylvia & Michael: The later adventures of Sylvia Scarlett
MacKenzie, Compton
Fiction
About ten minutes afterward the waiter came back and told Sylvia that
all the gentlemen were gone away except M. Florilor, who insisted upon
being received.
"Insists?" cried Sylvia. "But is he the crown prince of Avereshti?"
The waiter shrugged his shoulders.
"His father has a mortgage on the hotel," he explained. "And the
proprietor would be very much upset to think that any discourtesy had
been shown to the son."
"Have we paid for this room?" Sylvia demanded.
The waiter agreed with her that they had paid for it.
"Very well, when we ask for free board and lodging it will be time
enough to talk about the proprietor's annoyance at our refusal to
receive his creditors."
She indicated the direction of the door with a contemptuous inclination
of the head, and the waiter retired.
"I don't know how you can be so strong to talk like that," Queenie
marveled. "If I was being alone here I should be too frightened to speak
so to the waiter. Suppose they was all to murder us to-night?"
When Queenie spoke like this, Sylvia's old sense of guardianship flowed
again as fast as ever, and any impulse to abandon her was drowned in a
flood of rage against the arrogance of money with its sale and purchase
of human lives. There was something less distasteful about the
domination of Zozo than about the attempted domination of this young
Rumanian puppy yelping in his back yard of a town. If the juggler were
to arrive in Avereshti to-night and in a frenzy of balked passion were
to murder both herself and Queenie, there would be a kind of
completeness about the action that made the presentiment of it a sane
and feasible terror; but that Queenie should have been reduced to a
condition of semi-idiocy merely by the fact that the accidents of her
childhood had put her for sale on the market of life did seem to Sylvia
inexpressibly revolting.
Public-domain text, read in full here on John Shaqi.
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