The brightness of the early morning had been dimmed by a wet mist, and the room allotted for the reception of M. Florilor, which was on the other side of the hotel, looked out over houses covered with sodden creepers and down into gardens of disheveled sunflowers; it was a view that suited the mood Sylvia was in, and for a long time she stood gazing out of the window, trying to detect beyond the immediate surroundings of the hotel some definition of a landscape in the distance. In the light of the morning her resolution had not presented itself as morbidly as now; then it had appeared essentially poetic--a demonstration really of the creative power of the human will; now, like the dejected flowers in the gardens below, it hung limp and colorless. She turned away from the window and sat down in a tight new armchair, the back of which seemed to be inclosed in corsets. Everything in this room was new, and, like all hotel rooms, it depressed one with that indeterminate bleakness which is the property of never having been touched by the warmth of personality. It was bleak as an abandoned shell on the beach, and stirred by nothing save the end of the tide's ebb and flow. The waiter's attempt to give it the significance of human life by cramming bunches of dahlias into a pair of fluted vases only added to the desolate effect. For want of something to do Sylvia began to arrange the flowers with a little consideration for their native ugliness, as one tries to smarten an untidy woman with a bad figure; but when she poured some water into a china bowl and saw floating upon its surface the ends of burned-out matches and cigarettes, she gave up the task. These burned-out relics of transitory occupants seemed typical of the room's effect upon the pensive observer. A confused procession of personalities made up its history, and as these had cast away their burned-out cigarettes and matches, so had they cast behind them the room where they had lodged, preserving no memory of its existence and leaving behind not a single emotion to vitalize the bleak impersonal shell they had thankfully forsaken. Yet Sylvia, waiting here for the beginning of the heartless drama that would be wrought of her heart's blood pulsing to reinforce her will, rejoiced in this sterility of the setting; it helped her to achieve a similar effect in her own attitude. Just as this room had succeeded in preserving itself from any impression of having ever been lived in by human beings, so she, when the drama was played through, should retain of it no trace. That in it which was real--the lust of man--should be left behind, an ignominious burned-out thing less than a cigarette stump at the bottom of a china bowl.