Sylvia & Michael: The later adventures of Sylvia ScarlettMacKenzie, Compton
General
Sylvia & Michael: The later adventures of Sylvia Scarlett
MacKenzie, Compton
Fiction
The problem of how to pass the rest of the day weighed upon her. She did
not want to meet any of the girls at the Trianon; she did not want to
meet anybody she knew until she could meet him with money in her pocket.
To-night she would stay at their old hotel in Bucharest; she would say
that she had missed the train back to Avereshti, if they wondered at the
absence of luggage. Oh, but what did it matter if they did wonder? It
was her sensitiveness to such trifles as these that brought home to
Sylvia how much the strain of the last week had told upon her. Walking
aimlessly along, she found herself near the little mission church and
turned aside to enter it. At such an early hour of the afternoon the
church was empty, and the incense of the morning Mass was still pungent.
There was the same sort of atmosphere that exists in a theater between a
matinée and an evening performance; the emotion of the departed
worshipers was mingled with the expectation of more worshipers to come.
Sylvia sat contemplating the images and wondering about the appeal they
could make. She tried to put herself in the position of the humble and
faithful soul that could derive consolation and help from praying before
that tawdry image of the Sacred Heart. She wished that she could be
given the mentality of a poor Italian girl whose sense of awe was so
easily satisfied and who could behold those flames of cheap gold paint
around the Heart burning like the eyes of Seraphim.
"Yet, after all," she thought, "are we superior people, who suppose that
such representations hurt the majesty of God, any nearer to Him with our
equally pretentious theories of His manifestation? What in the ultimate
sum of this world's history, when the world itself hangs in the sky like
a poor burned-out moon, will mark the difference between the great
philosopher with his words and the most degraded savage with his idols?
And am I with my perception of God's love in a golden bag less
hopelessly material than the poor Italian girl who bows before that
painted heart?"
The influence of the church began to penetrate Sylvia's mind with a
tranquilizing assurance of continuity, or rather with the assurance of
silent and universal forces undisturbed by war. The sense of the
individual's extinction in the strife of herd with herd had been bound
to affect her very deeply, coming, as it did, at a time when she had
once again challenged life as an individual by refusing any co-operation
with the past.
Public-domain text, read in full here on John Shaqi.
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