Sylvia & Michael: The later adventures of Sylvia ScarlettMacKenzie, Compton
General
Sylvia & Michael: The later adventures of Sylvia Scarlett
MacKenzie, Compton
Fiction
"But why do I invite disillusionment by counting upon this meeting with
Michael Fane? Why should he cure this loneliness and how will he cure
it? Why, in two words, do I want to meet him again? Partly, I think,
it's due to the haunting incompleteness of our first intercourse, to
which is added the knowledge that now I am qualified to complete that
intercourse, at any rate, so far as my attitude toward him is concerned.
And the way I want to show my comprehension of him is to explain about
myself. I am really desperately anxious that he should hear what
happened to me after we parted. For one thing, he is bound to be
sympathetic with this craving for an assurance of the value of faith. I
want to find how far he has traveled in the same direction as myself by
a different road. I divine somehow that his experience will be the
complement to my own, that it will illumine the wretched cross-country
path which I've taken through life. If I find that he, relying almost
entirely upon the adventures of thought, has arrived at a point of which
I am also in sight, notwithstanding that I have taken the worst and
roughest road, a road, moreover, that was almost all the time
trespassing upon forbidden territory, then I shall be able to throw off
this oppression of loneliness. But why should I rely more upon his
judgment than anybody else's?"
Sylvia shrugged her shoulders.
"What is attraction?" she asked herself. "It exists, and there's an end
of it. I had the same sense of intimacy with his sister in a
conversation of five minutes. Then am I in love with him? But isn't
being in love a condition that is brought about by circumstances out of
attraction? Being in love is merely the best way of illustrating
affinity. Ah, that word! When a woman of thirty-two begins to talk about
affinities, she has performed half her emotional voyage; the sunken
rocks and eddies of the dangerous age may no longer be disregarded.
Thirty-two, and yet I feel younger than I did at twenty-three. At
twenty-three experience mostly bitter was weighing me down; at
thirty-two I know that experience must not be regarded as anything more
important than food or drink or traveling in a train or any of the
incidental aids to material existence. Then what is important? I should
be rash to hazard a statement while I am looking at this heterogeneous
mob below. One cannot help supposing that the war will bring about a
readjustment of values."
The feeling of unrest and insecurity in the square at Nish on that
Monday morning was almost frightful in its emotional actuality; it gave
Sylvia an envy to fling herself into the middle of it, as when one sits
upon a rock lashed by angry seas and longs to glut an insane curiosity
about the extent of one's helplessness. This squalid Serbian town gave
her the illusion of having for the moment concentrated upon itself the
great forces that were agitating the world.
Public-domain text, read in full here on John Shaqi.
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