“Servant, I assure your Royal Highness!” Eric respectfully insisted.
“Allow me to mention to your Royal Highness my various situations--past,
present, and future.”
“What did oo begin wiz?” Bruno asked, beginning to enter into the jest.
“Was oo a shoe-black?”
“Lower than that, your Royal Highness! Years ago, I offered myself as
a Slave--as a 'Confidential Slave,' I think it's called?” he asked,
turning to Lady Muriel.
But Lady Muriel heard him not: something had gone wrong with her glove,
which entirely engrossed her attention.
“Did oo get the place?” said Bruno.
“Sad to say, Your Royal Highness, I did not! So I had to take a
situation as--as Waiter, which I have now held for some years haven't
I?” He again glanced at Lady Muriel.
“Sylvie dear, do help me to button this glove!” Lady Muriel whispered,
hastily stooping down, and failing to hear the question.
“And what will oo be next?” said Bruno.
“My next place will, I hope, be that of Groom. And after that--”
“Don't puzzle the child so!” Lady Muriel interrupted. “What nonsense you
talk!”
“--after that,” Eric persisted, “I hope to obtain the situation of
Housekeeper, which--Fourth Act!” he proclaimed, with a sudden change of
tone. “Lights turned up. Red lights. Green lights. Distant rumble heard.
Enter a passenger-train!”
And in another minute the train drew up alongside of the platform, and
a stream of passengers began to flow out from the booking office and
waiting-rooms.
“Did you ever make real life into a drama?” said the Earl. “Now just
try. I've often amused myself that way. Consider this platform as
our stage. Good entrances and exits on both sides, you see. Capital
background scene: real engine moving up and down. All this bustle, and
people passing to and fro, must have been most carefully rehearsed! How
naturally they do it! With never a glance at the audience! And every
grouping is quite fresh, you see. No repetition!”
It really was admirable, as soon as I began to enter into it from this
point of view. Even a porter passing, with a barrow piled with luggage,
seemed so realistic that one was tempted to applaud. He was followed
by an angry mother, with hot red face, dragging along two screaming
children, and calling, to some one behind, “John! Come on!” Enter John,
very meek, very silent, and loaded with parcels. And he was followed,
in his turn, by a frightened little nursemaid, carrying a fat baby, also
screaming. All the children screamed.
“Capital byplay!” said the old man aside. “Did you notice the
nursemaid's look of terror? It was simply perfect!”
“You have struck quite a new vein,” I said. “To most of us Life and its
pleasures seem like a mine that is nearly worked out.”
Public-domain text, read in full here on John Shaqi.
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