The most characteristic feature of the bazaar is its smell—that peculiar,
inescapable blending of licorice and annis and pungent spices and heavy
perfumes, combined with a vague odor of age and staleness which pervades
the dust-laden air, and sometimes with an odor not at all vague which
arises from the filth of unswept streets. It is not when I “hear the East
a-callin’” but when I _smell_ the East that the waves of homesickness
sweep deepest over me. I love the scent of the bazaar. Sometimes I catch
a whiff of it through the open door of a little basement store in the
Syrian Quarter of New York; and in a moment my thoughts are five thousand
miles away among the old familiar scenes.
The next most vivid impression of the bazaar is its weird combination of
bright coloring and gloom. The narrow, winding street is guarded from the
glaring sun by striped awnings and old carpets which reach across from
house to house. Some few of the chief thoroughfares, like the “Street
called Straight,” are enclosed by great cylindrical roofs of corrugated
iron. You are indoors and yet out-of-doors. The light is dim; but it
is daylight, and you feel that all the while the sun is shining very
brightly overhead. Along the fronts of the shops and hanging on ropes
which stretch across the street, are shining brasses and pieces of inlaid
woodwork and cloths of the most gorgeous orient hues; but the rear of
these same shops is usually wrapped in impenetrable gloom. Sometimes
there is visible only a square black hole surrounded by a frame of gaudy
silks. When you pass a blacksmith’s forge, with shadowy figures moving
among the sparks at the back of the inky darkness, it seems like a
glimpse into inferno.
Most of the shops are tiny affairs only six or eight feet square, which
open on the street for their entire width and have the floor raised to
about the height of the customer’s waist. The resemblance of a bazaar to
a long double row of pigeon-holes is increased by the manner in which
the box-like recesses follow continuously one after the other, with no
doorways between, as the entrance to their upper stories is by ladders in
the rear.
Public-domain text, read in full here on John Shaqi.
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