City and town life -- Fiction; Man-woman relationships -- Fiction
He wasn't upset in the least. Miss Alicia, who, as a timid dependent
either upon “poor dear papa” or Mr. Temple Barholm, had been secretly,
in her sensitive, ladylike little way, afraid of superior servants
all her life, knowing that they realized her utterly insignificant
helplessness, and resented giving her attention because she was not able
to show her appreciation of their services in the proper manner--Miss
Alicia saw that it had not occurred to him to endeavor to propitiate
them in the least, because somehow it all seemed a joke to him, and he
didn't care. After the first moment of being startled, she regarded him
with a novel feeling, almost a kind of admiration. Tentatively she dared
to wonder if there was not something even rather--rather ARISTOCRATIC in
his utter indifference.
If he had been a duke, he would not have regarded the servants' point of
view; it wouldn't have mattered what they thought. Perhaps, she
hastily decided, he was like this because, though he was not a duke,
boot-blacking in New York notwithstanding he was a Temple Barholm. There
were few dukes as old of blood as a Temple Barholm. That must be it. She
was relieved.
Whatsoever lay at the root of his being what he was and as he was, he
somehow changed the aspect of things for her, and without doing anything
but be himself, cleared the atmosphere of her dread of the surprise and
mental reservations of the footmen and Burrill when she came down to
dinner in her high-necked, much-cleaned, and much-repaired black silk,
and with no more distinguishing change in her toilet than a white lace
cap instead of a black one, and with “poor dear mamma's” hair bracelet
with the gold clasp on her wrist, and a weeping-willow made of “poor
dear papa's” hair in a brooch at her collar.
It was so curious, though still “nice,” but he did not offer her his arm
when they were going into the dining-room, and he took hold of hers with
his hand and affectionately half led, half pushed, her along with him as
they went. And he himself drew back her chair for her at the end of the
table opposite his own. He did not let a footman do it, and he stood
behind it, talking in his cheerful way all the time, and he moved it to
exactly the right place, and then actually bent down and looked under
the table.
“Here,” he said to the nearest man-servant, “where's there a footstool?
Get one, please,” in that odd, simple, almost aristocratic way. It was
not a rude dictatorial way, but a casual way, as though he knew the man
was there to do things, and he didn't expect any time to be wasted.
And it was he himself who arranged the footstool, making it comfortable
for her, and then he went to his own chair at the head of the table
and sat down, smiling at her joyfully across the glass and silver and
flowers.
“Push that thing in the middle on one side, Burrill,” he said. “It's too
high. I can't see Miss Alicia.”
Burrill found it difficult to believe the evidence of his hearing.
Public-domain text, read in full here on John Shaqi.
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