City and town life -- Fiction; Man-woman relationships -- Fiction
It had been “ladies” who had fluttered and been anxious about a man in
this quite pretty way.
He could scarcely remove his eyes from her as he sipped his wine. She
felt his escape “providential,” and murmured such devout little phrases
concerning it that he was almost consoled for the grotesque inward
vision of himself as an aged peer of the realm tumbling out of a
baby-carriage and rolled over on the grass at the feet of a man on whom
later he had meant to make, in proper state, a formal call. She put her
hand to her side, smiling half apologetically.
“My heart beats quite fast yet,” she said. Whereupon a quaintly novel
thing took place, at the sight of which the duke barely escaped opening
his eyes very wide indeed. The American Temple Barholm put his arm about
her in the most casual and informally accustomed way, and led her to a
chair, and put her in it, so to speak.
“Say,” he announced with affectionate authority, “you sit down right
away. It's you that needs a glass of wine, and I'm going to give it to
you.”
The relations between the two were evidently on a basis not common in
England even among people who were attached to one another. There was a
spontaneous, every-day air of natural, protective petting about it, as
though the fellow was fond of her in his crude fashion, and meant to
take care of her. He was fond of her, and the duke perceived it with
elation, and also understood. He might be the ordinary bestower of
boons, but the protective curve of his arm included other things. In the
blank dullness of his unaccustomed splendors he had somehow encountered
this fine, delicately preserved little relic of other days, and had
seized on her and made her his own.
“I have not seen anything as delightful as Miss Temple Barholm for many
a year,” the duke said when Miss Alicia was called from the room and
left them together.
“Ain't she great?” was Tembarom's reply. “She's just great.”
“It's an exquisite survival of type,” said the duke. “She belongs to my
time, not yours,” he added, realizing that “survival of type” might not
clearly convey itself.
“Well, she belongs to mine now,” answered Tembarom. “I wouldn't lose her
for a farm.”
“The voice, the phrases, the carriage might survive,-they do in
remote neighborhoods, I suppose--but the dress is quite delightfully
incredible. It is a work of art,” the duke went on. She had seemed too
good to be true. Her clothes, however, had certainly not been dug out of
a wardrobe of forty years ago.
“When I went to talk to the head woman in the shop in Bond Street I
fixed it with 'em hard and fast that she was not to spoil her. They were
to keep her like she was. She's like her little cap, you know, and her
little mantles and tippets. She's like them,” exclaimed Tembarom.
Public-domain text, read in full here on John Shaqi.
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