The Ancients had a happy conception of mind in their Pantheon of its Powers. They fabled these as gods celestial, mundane, infernal, according to their several prerogatives and uses. It appears their ideal metaphysic has not as yet been surpassed or superseded altogether, as the classic mythology still holds its high place in modern thought and the schools as a discipline and culture. And for the reason that thought is an Olympian, and man a native of the cloudlands, whatever his metaphysical pretensions. It is only as we sit aloft that we oversee the world below and comprehend aright its drift and revolutions. Ixion falling out of the mist, which he illicitly embraced, is the visionary mistaking images for ideas, and thus paying the cost in his downfall. Plumage, wings or none, imagination or understanding, the fledged idea or the footed fact, the fleet reason or slow--these distribute mankind into thinkers or observers. Only genius combines the double gifts in harmonious proportions and interplay, possessing the mind entire, and is a denizen of both hemispheres. The idealist is the true realist, grasping the substance and not its shadow. The man of sense is the visionary or illusionist, fancying things as permanencies, and thoughts as fleeting phantoms. A Ptolemaist in theory, and earth-bound, he fears to venture above his terra firma into the real firmament whereinto mind is fashioned to spring, and command the wide prospect around. "Things divine are not attained by mortals who understand body merely, But only those who are lightly armed arrive at the summit." Thought is the Mercury; and things are caught on the wing, and by the flying spectator only. Nature is thought in solution. Like a river whose current is flowing steadily, drop displacing drop, particle following particle of the passing stream, nothing abides but the spectacle. So the flowing world is fashioned in the idealist's vision, and is the reality which to slower wits seems fixed in space and apart from thought, subsisting in itself. But thought works in the changing and becoming, not in the changed and become; all things sliding by imperceptible gradations into their contraries, the cosmos rising out of the chaos by its agency. Nothing abides; all is image and expression out of our thought.