Tafilet : $b the narrative of a journey of exploration in the Atlas mountains and the oases of the north-west SaharaHarris, Walter
History
Tafilet : $b the narrative of a journey of exploration in the Atlas mountains and the oases of the north-west Sahara
Harris, Walter
Atlas Mountains; Morocco -- Description and travel
Without the city the crowd ranged itself on each side of the road,
which was guarded by long lines of troops, the cavalry near the city,
and beyond in the plain the infantry.
The Sultan had spent the night at a distance of some six miles away,
where the great camp had been pitched, and early as it was when I
arrived upon the scene outside the gate of the city, stragglers and
troops from the _mahalla_ were already arriving,—wild tribesmen,
mounted or on foot, Kaids of districts with their troops of irregular
cavalry, mules and camels laden with baggage, black slaves and
women. I was soon free of the crowd, and riding slowly along behind
the line of soldiers toward the camp.
A murmur passed through the people, and turning to the west, I could
see a great cloud of dust appearing above one of the low elevations
in the plain.
The morning was lovely; the sun, although scarcely risen, was hot,
while a not unpicturesque, though by no means pleasant, addition to
the scene was the fine cloud of dust that hung over everything. Soon
one was able to distinguish the tops of the gold and coloured banners
that preceded the Sultan’s procession, and still nearer the white
draped figures of the women, mounted upon mules. Some eighty of these
there were, and as their mules were hurried along by the soldier
guard, every one, soldier and sightseer, turned away their heads,
as etiquette demands. Two women, covered, except for the eyes, in
soft white draperies, preceded the rest, and it was easy to guess
who they were,—the Circassian mother of the young Sultan and his
newly married wife.
Then came the artillery on the back of mules, followed by a troop
of bodyguards, handsomely dressed and mounted. After them the band,
mounted and discoursing music as they rode. Then again a forest
of banners, of every hue and colour, of cloth, velvet, and silk,
of gold embroidery and gold brocade,—the sacred flags of the
great saints and Shereefs of Morocco.
Behind these rode the Sultan Mulai Abdul Aziz, mounted upon a
dark roan horse with cream mane and tail, seated upon a saddle of
apple-green and gold embroidery, while over his head, borne by a
mounted soldier, waved the umbrella of crimson and gold. He was
dressed in white, a fine long _bernus_ hanging lightly over his
_haik_ of soft silk and wool. A cord of white silk bound round his
head held these two garments in place over his turban.
Mulai Abdul Aziz appeared nervous but dignified. Immovable as a
statue, one could not help noticing that his eyes wandered here
and there amongst the crowd, as though fearing some attempt upon
his life; but even to a greater extent than this was his anxiety
apparent in his mouth, for his lips wore a pout, with him a sure sign
of excitement. Close at the young Sultan’s elbow rode Bu Ahmed,
the Grand Vizier, while following him came a crowd of officials
and soldiers.
Public-domain text, read in full here on John Shaqi.
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