Matilda was a year younger than Isabella; she was handsome, but her countenance, at first view, gave the idea of hopeless indolence; she did not learn the French and Italian irregular verbs by rote as expeditiously as her sister, and her impatient preceptress pronounced, with an irrevocable nod, that Miss Matilda was _no_ genius. The phrase was quickly caught by her masters, so that Matilda, undervalued even by her sister, lost all confidence in herself, and with the hope of success, lost the wish for exertion. Her attention gradually turned to dress and personal accomplishments; not that she was vain of her beauty, but she had more hopes of pleasing by the graces of her person than of her mind. The timid, anxious blush, which Mad. De Rosier observed to vary in Matilda's countenance, when she spoke to those for whom she felt affection, convinced this lady that, if Matilda were _no_ genius, it must have been the fault of her education. On sensibility, all that is called genius, perhaps, originally depends: those who are capable of feeling a strong degree of pain and pleasure may surely be excited to great and persevering exertion, by calling the proper motives into action. Favoretta, the youngest daughter, was about six years old. At this age, the habits that constitute character are not formed, and it is, therefore, absurd to speak of the character of a child six years old. Favoretta had been, from her birth, the plaything of her mother and of her mother's waiting-maid. She was always produced, when Mrs. Harcourt had company, to be admired and caressed by the fashionable circle; her ringlets and her lively nonsense were the never-failing means of attracting attention from visitors. In the drawing-room, Favoretta, consequently, was happy, always in high spirits, and the picture of good humour; but, change the scene, and Favoretta no longer appeared the same person: when alone, she was idle and spiritless; when with her maid or with her brother and sisters, pettish and capricious. Her usual play-fellow was Herbert, but their plays regularly ended in quarrels--quarrels in which both parties were commonly in the wrong, though the whole of the blame necessarily fell upon Herbert, for Herbert was neither caressing nor caressed. Mrs. Grace, the waiting-maid, pronounced him to be the plague of her life, and prophesied evil of him, because, as she averred, if she combed his hair a hundred times a day, it would never be fit to be seen; besides this, she declared "there was no managing to keep him out of mischief," and he was so "thick-headed at his book," that Mrs. Grace, on whom the task of teaching him his alphabet had, during the negligent reign of the late governess, devolved, affirmed that he never would learn to read like any other young gentleman. Whether the zeal of Mrs. Grace for his literary progress were of service to his understanding, may be doubted; there could be no doubt of its effect upon his temper; a sullen gloom