"And now, my dear Forester," said Dr. Campbell, as his ward returned to claim his promise of a general amnesty, "if you do not turn out a coxcomb, if you do not 'mistake reverse of wrong for right,' you will infallibly be a very great man. Give me a pupil who can cure himself of any one foible, and I have hope of him. What hope must I not have of him who has cured himself of so many!" THE PRUSSIAN VASE Frederick the Second, king of Prussia, after his conquest of Saxony, transported, it is said{1}, by force, several manufacturers from Dresden to Berlin, where he was very desirous of establishing the manufacture of china. These unfortunate people, separated from their friends, their home, and their native country, were compelled to continue their labours for the profit and for the glory of their conqueror. Amongst the number of those sufferers was Sophia Mansfeld. She was young, handsome, and possessed considerable talents. Several pieces of porcelain of her design and modelling were shown to Frederick, when he visited the manufactory at Meissen, in Saxony; and their taste and workmanship appeared to him so exquisite, that he determined to transport the artist to his capital. But from the time of her arrival at Berlin, Sophia Mansfeld's genius seemed to forsake her. It was her business to sketch designs, and to paint them on the porcelain; but either she could not or would not execute these with her former elegance: the figures were awkward and spiritless, and it was in vain that the overseer of the works attempted to rouse her to exertion; she would sit for hours, with her pencil in her hand, in a sort of reverie. It was melancholy to see her. The overseer had compassion upon her; but his compassion was not so great as his dread of the king's displeasure; and he at length declared, that the next time Frederick visited the works, he must complain of her obstinate idleness. {Footnote 1: Vide Wraxall'g Memoirs of the Court of Berlin.}