It must be acknowledged, that these men are not in any danger of
catching cold by taking off their wigs occasionally, because they
usually have fine crops of hair growing under their wigs. The wigs are
often yellow, and the hair which appears from beneath them black; the
wigs are usually too small, and are raised up by the hair beneath, or by
the ears of the wearers.
[18] A wake in England is a meeting avowedly for merriment; in Ireland
it is a nocturnal meeting avowedly for the purpose of watching and
bewailing the dead; but, in reality, for gossiping and debauchery. See
Glossary [C2].
[19] Shebean-house, a hedge alehouse. Shebcan properly means weak
small-beer, taplash.
[20] At the coronation of one of our monarchs, the king complained of
the confusion which happened in the procession. The great officer who
presided told his majesty, “That it should not be so next time.”
[21] _Kilt and smashed_.--Our author is not here guilty of an
anti-climax. The mere English reader, from a similarity of sound between
the words _kilt_ and _killed_, might be induced to suppose that
their meanings are similar, yet they are not by any means in Ireland
synonymous terms. Thus you may hear a man exclaim, “I’m kilt and
murdered!” but he frequently means only that he has received a black
eye, or a slight contusion.--_I’m kilt all over_ means that he is in a
worse state than being simply _kilt_. Thus, _I’m kilt with the cold_, is
nothing to _I’m kilt all over with the rheumatism_.
[22] _The room_--the principal room in the house.
[23] _Tester_--sixpence; from the French word, tête, a head: a piece of
silver stamped with a head, which in old French was called “un testion,”
and which was about the value of an old English sixpence. Tester is used
in Shakspeare.
ESSAY ON IRISH BULLS
Summos posse viros, et magna exempla daturos, Vervecum in patria,
crassoque sub aëre nasci. JUVENAL.
IRISH BULLS
INTRODUCTION.
What mortal, what fashionable mortal, is there who has not, in the midst
of a formidable circle, been reduced to the embarrassment of having
nothing to say? Who is there that has not felt those oppressive fits
of silence which ensue after the weather, and the fashions, and the
politics, and the scandal, and all the common-place topics of the day
have been utterly exhausted? Who is there that, at such a time, has not
tried in vain to call up an idea, and found that _none would come when
they did call_, or that all that came were impertinent, and must be
rejected, some as too grave, others too gay, some too vulgar, some
too refined for the hearers, some relating to persons, others to
circumstances that must not be mentioned? Not one will do! and all this
time the silence lasts, and the difficulty of breaking it increases
every instant in an incalculable proportion.
Public-domain text, read in full here on John Shaqi.
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