Somers was apt in conversation to throw out general reflections that were meant to apply to particular persons; or to speak with one meaning obvious to all the company, and another to be understood only by some individual whom she wished to reproach. This art, which she had often successfully practised upon Emilie, she, for that reason, suspected that Emilie tried upon her. And then the utmost ingenuity was employed to torture words into strange meanings: she would misinterpret the plainest expressions, or attribute to them some double, mysterious signification. One evening Emilie had been reading a new novel, the merits of which were eagerly discussed by the company. Some said that the heroine was a fool: others, that she was a mad woman; some, that she was not either, but that she acted as if she were both; another party asserted that she was every thing that was great and good, and that it was impossible to paint in truer colours the passion of love. Mrs. Somers declared herself of this opinion; but Emilie, who happened not to be present when this declaration was made, on coming into the room and joining in the conversation, gave a diametrically opposite judgment: she said, that the author had painted the enthusiasm with which the heroine yielded to her passion, instead of the violence of the passion to which she yielded. The French abbé, to whom Emilie made this observation, repeated it triumphantly to Mrs. Somers, who immediately changed colour, and replied in a constrained voice, “Certainly that is a very apposite remark, and vastly well expressed; and I give Mlle. de Coulanges infinite credit for it.” Emilie, who knew every inflection of Mrs. Somers’ voice, and every turn of her countenance, perceived that these words of praise were accompanied with strong feelings of displeasure. She was much embarrassed, especially as her friend fixed her eyes upon her whilst she blushed; and this made her blush ten times more: she was afraid that the company, who were silent, should take notice of her distress; and therefore she went on talking very fast about the novel, though scarcely knowing what she said. She made sundry blunders in names and characters, which were eagerly corrected by the astonished Mad. de Coulanges, who could not conceive how any body could forget the dramatis personæ of the novel of the day. Mrs. Somers, all the time, preserved silence, as if she dared not trust herself to speak; but her compressed lips showed sufficiently the constraint under which she laboured. Whilst every body else went on talking, and helping themselves to refreshments which the servants were handing about, Mrs. Somers continued leaning on the mantel-piece in a deep reverie, pulling her bracelet round and round upon her wrist, till she was roused by Mad. de Coulanges, who appealed for judgment upon her new method of preparing an orange.