Tales and Novels — Volume 07: Patronage [part 1]Edgeworth, Maria
General
Tales and Novels — Volume 07: Patronage [part 1]
Edgeworth, Maria
England -- Social conditions -- 19th century -- Fiction
These sound, perhaps, like mere civil speeches, but they came from
one who always spoke sincerely, and who was no common person. Mrs.
Hungerford was, by those who did not know her, thought proud; those who
did, knew that she had reason to be proud. She was of noble descent,
dignified appearance, polite manners, strong understanding, and high
character. Her fortune, connexions, various knowledge, and extraordinary
merit, had, during a long life, given her means of becoming acquainted
with most of the persons of any celebrity or worth in her own or in
foreign countries. No new candidate for fame appeared in any line of
life, without desiring to be noticed by Mrs. Hungerford; no traveller of
distinction or of literature visited England without providing himself
with letters of introduction to Mrs. Hungerford, and to her accomplished
daughter, the wife of Admiral Mortimer. In her early youth she had
passed some years abroad, and had the vivacity, ease, polish, _tact_,
and _esprit de société_ of a Frenchwoman, with the solidity of
understanding, amiable qualities, domestic tastes, and virtues of an
Englishwoman. The mutual affection of this mother and daughter not only
secured their own happiness, but diffused an additional charm over their
manners, and increased the interest which they otherwise inspired. Mrs.
Mortimer’s house in London was the resort of the best company, in the
best sense of the word: it was not that dull, dismal, unnatural thing,
an English _conversazione_, where people are set, against their will
and their nature, to talk wit; or reduced, against their pride and their
conscience, to worship _idols_. This society partook of the nature of
the best English and the best French society, judiciously combined: the
French mixture of persons of talents and of rank, men of literature
and of the world; the French habit of mingling feminine and masculine
subjects of conversation, instead of separating the sexes, far as the
confines of their prison-room will allow, into hostile parties, dooming
one sex to politics, argument, and eternal sense, the other to scandal,
dress, and eternal nonsense. Yet with these French manners there were
English morals; with this French ease, gaiety, and politeness, English
sincerity, confidence, and safety: no _simagrée_, no _espionnage_; no
intrigue, political or gallant; none of that profligacy, which not only
disgraced, but destroyed the _reality_ of pleasure in Parisian society,
at its most brilliant era. The persons of whom Mrs. Mortimer’s society
was formed were, in their habits and good sense, so thoroughly English,
that, even had it been possible for them to put morality and religion
out of the question, they would still have thought it quite as
convenient and agreeable to love their own husbands and wives as to play
at cross-purposes in gallanting their neighbours’. Of consequence, Mrs.
Mortimer, in the bloom of youth and height of fashion, instead of being
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