Tales and Novels — Volume 07: Patronage [part 1]Edgeworth, Maria
General
Tales and Novels — Volume 07: Patronage [part 1]
Edgeworth, Maria
England -- Social conditions -- 19th century -- Fiction
“By-the-bye, Mr. Gresham, though he is rather an elderly man, and looks
remarkably cool and composed, shows all the warmth of youth whenever any
of his feelings are touched.
“I wish you could see how much my father is pleased with your friend. He
has frequently repeated that Mr. Gresham, long as he has been trained in
the habits of mercantile life, is quite free from the spirit of monopoly
in small or great affairs. My father rejoices that his son has made such
a friend. Rosamond charged me to leave her room to write to you at the
end of my letter; but she is listening so intently to something Mr.
Gresham is telling her, that I do not believe she will write one line. I
hear a few words, which so much excite my curiosity, that I must go and
listen too. Adieu.
“Affectionately yours,
“CAROLINE PERCY.”
Another letter from Caroline to Erasmus, dated some weeks after the
preceding.
“Tuesday, 14th.
“Yes, my dear Erasmus, your friend, Mr. Gresham, is still with us; and
he declares that he has not, for many years, been so happy as since he
came here. He is now sufficiently intimate in this family to speak of
himself, and of his own feelings and plans. You, who know what a horror
he has of egotism, will consider this as a strong proof of his liking
us, and of his confidence in our regard. He has related many of the
instances, which, I suppose, he told you, of the ingratitude and
disappointments he has met with from persons whom he attempted to
serve. He has kept us all, for hours, Rosamond especially, in a state
of alternate pity and indignation. For all that has happened, he blames
himself more than he blames any one else; and with a mildness and
candour which make us at once admire and love him, he adverts to the
causes of his own disappointment.
“My father has spoken to him as freely as you could desire. He has
urged, that as far as the public good is concerned, free competition is
more advantageous to the arts and to artists than any private patronage
can be.
“If the productions have real merit, they will make their own way; if
they have not merit, they ought not to make their way. And the same
argument he has applied to literary merit, and to the merit, generally
speaking, of persons as well as of things. He has also plainly told
Mr. Gresham that he considers the trade of a patron as one of the most
thankless, as it is the least useful, of all trades.
Public-domain text, read in full here on John Shaqi.
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