Tales and Novels — Volume 07: Patronage [part 1]Edgeworth, Maria
General
Tales and Novels — Volume 07: Patronage [part 1]
Edgeworth, Maria
England -- Social conditions -- 19th century -- Fiction
These young ladies in their turn knew and practised the various arts by
which at a musical party the unfortunate mistress of the house may be
tormented. Some, who were sensible that the company were anxious for
their performance, chose to be “_quite out of voice_,” till they had
been pressed and flattered into acquiescence; one sweet bashful creature
must absolutely be forced to the instrument, as a new speaker of the
House of Commons was formerly dragged to the chair. Then the instrument
was not what one young lady was _used to_; the lights were so placed
that another who was near-sighted could not see a note--another could
not endure such a glare. One could not sing unless the windows were all
open--another could not play unless they were all shut. With perfect
complaisance Mrs. Falconer ordered the windows to be opened and shut,
and again shut and opened; with admirable patience she was, or seemed to
be, the martyr to the caprices of the fair musicians. While all the time
she so manoeuvred as to divide, and govern, and finally to have every
thing arranged as she pleased. None but a perfectly cool stander-by,
and one previously acquainted with Mrs. Falconer’s character, could have
seen all that Alfred saw. Perhaps the interest he began to take about
Count Altenberg, who was the grand object of all her operations,
increased his penetration. While the count was engaged in earnest
political conversation in one of the inner rooms with the commissioner,
Mrs. Falconer besought the Miss La Grandes to favour the company. It
was impossible for them to resist her polite entreaties. Next she called
upon Miss Crotch, and the Miss Barhams; and she contrived that they
should sing and play, and play and sing, till they had exhausted the
admiration and complaisance of the auditors. Then she relieved attention
with some slight things from Miss Arabella Falconer, such as could
excite no _sensation_ or envy. Presently, after walking about the room,
carelessly joining different conversation parties, and saying something
obliging to each, she approached the count and the commissioner. Finding
that the commissioner had finished all he had to say, she began to
reproach him for keeping the count so long from the ladies, and leading
him, as she spoke, to the piano-forte, she declared that he had missed
such charming things. She _could_ not ask Miss Crotch to play any more
till she had rested--“Georgiana! for want of something better, do
try what you can give us--She will appear to great disadvantage, of
course--My dear, I think we have not had _O Giove omnipotente_.”
“I am not equal to that, ma’am,” said Georgiana, drawing back: “you
should call upon Miss La Grande.”
“True, my love; but Miss La Grande has been so very obliging, I could
not ask--Try it, my love--I am not surprised you should be diffident
after what we have heard; but the count, I am sure, will make
allowances.”
Public-domain text, read in full here on John Shaqi.
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