Tales and Novels — Volume 07: Patronage [part 1]Edgeworth, Maria
General
Tales and Novels — Volume 07: Patronage [part 1]
Edgeworth, Maria
England -- Social conditions -- 19th century -- Fiction
Percy-hall was really a beautiful place, and Miss Arabella Falconer now
looked at it with the pleasure of anticipated possession. Sir Robert
Percy was not at home, he had been obliged that morning to be absent
on some special business; but he had left orders with his steward and
housekeeper to show the party of visitors the house and grounds. In
going through the apartments they came to the gallery leading to the
library, where they were stopped by some workmen’s trestles, on which
were lying two painted glass windows, one that had been taken down, and
another which was to be put in its stead. Whilst the workmen were moving
the obstacles out of the way, the company had leisure to admire the
painted windows. One of them was covered with coats of arms: the
other represented the fire at Percy-hall, and the portrait of Caroline
assisting the old nurse down the staircase. This painting immediately
fixed Count Altenberg’s eye, and Miss Georgiana Falconer, not knowing
whose portrait it was, exclaimed, as she looked at the figure of
Caroline, “Beautiful! Exquisite! What a lovely creature that is
assisting the old woman!”
“Yes,” said Count Altenberg, “it is one of the finest countenances I
ever beheld.”
All the ladies eagerly pressed forward to look at it.
“Beautiful! Don’t you think it is something like Lady Anne Cope?” said
Miss Falconer.
“Oh! dear, no!” cried Miss Georgiana Falconer: “it is a great deal
handsomer than any of the Copes ever were, or ever will be!”
“It has a look of Lady Mary Nesbitt,” said one of the Lady Arlingtons.
“The eyes are so like Lady Coningsby, who is my delight,” said
Georgiana.
“And it has quite the Arlington nose,” said Mrs. Falconer, glancing her
eye upon the Lady Arlingtons. Count Altenberg, without moving his eye,
repeated, “It is the most beautiful face I ever beheld.”
“Not nearly so beautiful as the original, sir,” said the painter.
“The original?--Is it a copy?”
“A portrait, sir.”
“Oh! a family portrait of one of our great, great grandmother Percys, I
suppose,” said Miss Georgiana, “done in her youth--in a fancy piece,
you know, according to the taste of those times--she must have been
superlatively lovely.”
“Ma’am,” said the painter, “the young lady, of whom this is a portrait,
is, I hope and believe, now living.”
“Where?--and who can she be?--for I am sure I don’t recollect ever
having seen her in all my life--never met her in town any where--Pray,
sir, who may it be?” added she, turning to the artist, with a mixture of
affected negligence and real pride.
“Miss Caroline Percy, ma’am.”
“A daughter of Sir Robert Percy--of the gentleman of this house?” said
Count Altenberg eagerly.
Mrs. Falconer, and her daughter Georgiana, answered rapidly, with looks
of alarm, as they stood a little behind the count.
Public-domain text, read in full here on John Shaqi.
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