_Widow._ Now, dear, don’t be saying one word more to her, lest it should
end in a disappointment.
_Owen._ Still it is my notion, ‘tis Mabel he loves.
_Widow._ Oh! what should you know, dear, o’ the matter?
_Owen._ Only having eyes and ears like another.
_Widow._ Then what hinders him to speak?
_Owen._ It’s bashfulness only, mother. Don’t you know what that is?
_Widow._ I do, dear. It’s a woman should know that best. And it is not
Mabel, nor a daughter of mine, nor a sister of yours, Owen, should
be more forward to understand than the man is to speak--was the man a
prince.
_Owen._ Mother, you are right; but I’m not wrong neither. And since I’m
to say no more, I’m gone, mother.
[_Exit OWEN._
_Widow._ (_alone_) Now who could blame that boy, whatever he does or
says? It’s all heart he is, and wouldn’t hurt a fly, except from want of
thought. But, stay now, I’m thinking of them soldiers that is in town.
(_Sighs_) Then I didn’t sleep since ever they come; but whenever I’d be
sinking to rest, starting, and fancying I heard the drum for Owen to
go. (_A deep groaning sigh._) Och! and then the apparition of Owen in
regimentals was afore me!
_Enter OWEN, dancing and singing,_
“Success to my brains, and success to my tongue!
Success to myself, that never was wrong!”
_Widow._ What is it? What ails the boy? Are ye mad, Owen?
_Owen._ (_capering, and snapping his fingers_) Ay, mad! mad with joy I
am. And it’s joy I give you, and joy you’ll give me, mother darling.
The new inn’s yours, and no other’s, and Gilbert is your own too, and
no other’s--but Mabel’s for life. And is not there joy enough for you,
mother?
_Widow._ Joy!--Oh, too much! (_She sinks on a seat._)
_Owen._ I’ve been too sudden for her!
_Widow._ No, dear--not a bit, only just give me time--to feel it. And is
it true? And am I in no dream now? And where’s Mabel, dear?
_Owen._ Gone to the well, and Gilbert with her. We met her, and he
turned off with her, and I come on to tell you, mother dear.
_Widow._ Make me clear and certain; for I’m slow and weak, dear.
Who told you all this good? and is it true?--And my child Mabel
_mavourneen_!--Oh, tell me again it’s true.
_Owen._ True as life. But your lips is pale still, and you all in a
tremble. So lean on me, mother dear, and come out into God’s open air,
till I see your spirit come back--and here’s your bonnet, and we’ll meet
Mabel and Gilbert, and we’ll all go up to the castle to give thanks to
the lady.
_Widow._ (_looking up to heaven_) Thanks! Oh, hav’n’t I great reason to
be thankful, if ever widow had!
[_Exeunt, WIDOW leaning on OWEN._
SCENE II.
_An Apartment in Bannote Castle._
_Footmen bringing in Baskets of Flowers._
_Miss O’HARA and Sir WILLIAM HAMDEN._
_Clara._ Now, my dear uncle, I want to consult you.
_Sir W._ And welcome, my child. But if it is about flowers, you could
not consult a worse person, for I scarcely know a rose from a ----. What
is this you have here--a thistle?
Public-domain text, read in full here on John Shaqi.
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