When you ask a countryman in England the way to the next town, he
replies, “Where do you come from, master?” and till you have answered
this question, no information can you obtain from him. You ask me what I
know of Lady Olivia ----. What is your reason for asking? Till you have
answered this question, hope for no information from me. Seriously, Lady
Olivia had left Paris before I arrived, therefore you cannot have my
judgment of her ladyship, which I presume is all you could depend
upon. If you will take hearsay evidence, and if you wish me to speak to
general character, I can readily satisfy you. Common reputed, loud and
unanimous in favour of her talents, beauty, and fashion: there is no
resisting, I am told, the fascination of her manners and conversation;
_but_ her opinions are fashionably liberal, and her practice as liberal
as her theories. Since her separation from her husband, her lover
is publicly named. Some English friends plead in her favour platonic
attachment: this, like benefit of clergy, is claimed of course for
a first offence: but Lady Olivia’s Parisian acquaintance are not so
scrupulous or so old-fashioned as to think it an offence; they call it
an _arrangement_, and to this there can be no objection. As a French
gentleman said to me the other day, with an unanswerable shrug, “Tout le
monde sait que R---- est son amant; d’ailleurs, c’est la femme la plus
aimable du monde.”
As to Lady Olivia’s friend, Mad. de P----, she sees a great deal of
company: her house is the resort of people of various descriptions;
ministers, foreigners, coquettes, and generals; in short, of all those
who wish, without scandal or suspicion, to intrigue either in love
or politics. Her assemblies are also frequented by a few of _l’ancien
régime_, who wish to be in favour with the present government. Mad.
de P----, of a noble family herself, and formerly much at court, has
managed matters so as to have regained all her husband’s confiscated
property, and to have acquired much influence with some of the leading
men of the day. In her manners and conversation there is an odd mixture
of frivolity and address, of the airs of coquetry and the jargon of
sentiment. She has the politeness of a French Countess, with _exquisite_
knowledge of the world and of _les convenances_, joined to that freedom
of opinion which marks the present times. In the midst of all these
inconsistencies, it is difficult to guess what her real character may
be. At first sight I should pronounce her to be a silly woman, governed
by vanity and the whim of the moment: but those who know her better than
I do, believe her to be a woman of considerable talents, inordinately
fond of power, and uniformly intent upon her own interest, using
coquetry only as a means to govern our sex, and frivolity as a mask
for her ambition. In short, Mad. de P---- is a perfect specimen of the
combination of an _intrigante_ and an _élégante_, a combination often
found in Paris.
Public-domain text, read in full here on John Shaqi.
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