Our dear _Brillante_ has just had a superb _hommage_ from her lover
the commissary--a necklace and bracelets of the finest; pearls: but she
cannot wear them yet: her brother having died last week, she is in
deep mourning. This brother was not upon good terms with her. He never
forgave the divorce. He thought it a disgrace to have a sister _une
divorcée_; but he was full of prejudice, poor man, and he is dead, and
we need think no more of him or of his faults.
Our ci-devant chanoine, who married that little Meudon, is as miserable
as possible, and as ridiculous: for he is jealous of his young wife,
and she is a _franche-coquette_. The poor man looks as if he repented
sincerely of his errors. What a penitent a coquette can make of a
husband! Bourdaloue and Massillon would have tried their powers on this
man’s heart in vain.
Did I tell you that Mad. G---- is a second time divorced? But this time
it is her husband’s doing, not hers. This handsome husband has spent
all the immense fortune she brought him, and now procures a divorce for
_incompatibility of temper_, and is going to marry another lady, richer
than Mad. G----, and as great a fool. This system of divorce, though
convenient, is not always advantageous to women. However, in one point
of view, I wonder that the rigid moralists do not defend it, as the only
means of making a man in love with his own wife. A man divorces; the law
does not permit him to marry the same woman afterwards; of course
this prohibition makes him fall in love with her. Of this we have many
edifying examples besides Fanchette, who, though she was so beautiful,
and a tolerable actress, would never have drawn all Paris to the
Vaudeville if she had not been a _divorcée_, and if it had not been
known that her husband, who played the lover of the piece, was dying
to marry her again. Apropos, Mad. St. Germain is acting one of her own
romances, in the high sublime style, and threatens to poison herself for
love of her perjured inconstant--but it will not do.
Madame _la Grande_ was near having a sad accident the other night: in
crossing the Pont-neuf her horses took fright; for there was a crowd
and _embarras_, a man having just drowned himself--not for love, but
for hunger. How many men, women, and children, do you think drowned
themselves in the Seine last year? Upwards of two hundred. This is
really shocking, and a stop should be put to it by authority. It
absolutely makes me shudder and reflect; but _après nous le déluge_ was
La Pompadour’s maxim, and should be ours.
Mad. Folard _se coiffe en cheveux_, and Mad. Rocroix crowns herself with
roses, whilst all the world knows that either of them is old enough
to be my mother. In former days a woman could not wear flowers after
thirty, and was _bel esprit_ or _dévote_ at forty, for it was thought
bad taste to do otherwise. But now every body may be as young as they
please, or as ridiculous. Women have certainly gained by the new order
of things.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account