during one _famous_ winter in Dublin. His language and dialect, he was afraid, had become somewhat vulgar; but Dora, who had been refined by her residence with her aunt, and by her dancing-master, would polish him, and set all to rights, in the most agreeable manner possible. In the course of these his speculations on his rapid improvements, and his reflections on the perfectibility of man’s nature under the tuition of woman, some idea of its fallibility did cross his imagination or his memory; but then he blamed, most unjustly, his imagination for the suggestion. The danger would prove, as he would have it, to be imaginary. What danger could there be, when he knew, as he began and ended by saying to himself, that he was to consider Dora as a married woman--Mrs. Connal? Dora’s aunt, an aunt by the mother’s side, a maiden aunt, who had never before been at the Black Islands, and whom Ormond had never seen, was to accompany Dora on her return to Corny Castle: our young hero had settled it in his head that this aunt must be something like Aunt Ellenor in Sir Charles Grandison; a stiff-backed, prim, precise, old-fashioned looking aunt. Never was man’s astonishment more visible in his countenance than was that of Harry Ormond on the first sight of Dora’s aunt. His surprise was so great as to preclude the sight of Dora herself. There was nothing surprising in the lady, but there was, indeed, an extraordinary difference between our hero’s preconceived notion, and the real person whom he now beheld. _Mademoiselle_--as Miss O’Faley was called, in honour of her French parentage and education, and in commemoration of her having at different periods spent above half her life in France, looking for an estate that could never be found--Mademoiselle was dressed in all the peculiarities of the French dress of that day; she was of that indefinable age, which the French describe by the happy phrase of “une femme _d’un certain age_,” and which Miss O’Faley happily translated, “a woman of _no particular age_.” Yet though of no particular age in the eye of politeness, to the vulgar eye she looked like what people, who knew no better, might call an elderly woman; but she was as alert and lively as a girl of fifteen: a little wrinkled, but withal in fine preservation. She wore abundance of rouge, obviously--still more obviously took superabundance of snuff--and without any obvious motive, continued to play unremittingly a pair of large black French eyes, in a manner impracticable to a mere Englishwoman, and which almost tempted the spectator to beg she would let them rest. Mademoiselle, or Miss O’Faley, was in fact half French and half Irish--born in France, she was the daughter of an officer of the Irish brigade, and of a French lady of good family. In her gestures, tones, and language, there was a striking mixture or rapid succession of French and Irish. When she spoke French, which she spoke well, and with